The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
Perhaps I ought here carefully to state that in propounding the idea
that the whole common speech of early man may have been rhythmical
through the operation of uniformity of syllables and periodicity of
breath, and that for this reason prose, which is practically verse of
a very complex rhythm, was naturally a later development; in
propounding this idea, I say, I do not mean to declare that the
prehistoric man, after a hard day's work on a flint arrow-head at his
stone-quarry would dance back to his dwelling in the most beautiful
rhythmic figures, would lay down his palæolithic axe to a slow song,
and, striking an operatic attitude, would call out to his wife to
leave off fishing in the stream and bring him a stone mug of water,
all in a most sublime and impassioned flight of poetry. What I do mean
to say is that if the prehistoric man's syllables were uniform, and
his breath periodic, then the rhythmical results described would
follow. Here let me at once illustrate this, and advance a step
towards my final point in this connection, by reminding you how easily
the most commonplace utterances in modern English, particularly when
couched mainly in words of one syllable, fall into quite respectable
verse rhythms. I might illustrate this, but Dr. Samuel Johnson has
already done it for me:--"I put my hat upon my head and walked into
the Strand, and there I met another man whose hat was in his hand." We
have only to arrange this in proper form in order to see that it is a
stanza of verse quite perfect as to all technical requirement:--
"I put my hat upon my head,
And walked into the Strand,
And there I met another man,
Whose hat was in his hand."
Now let me ask you to observe precisely what happens, when by adding
words here and there in this verse we more and more obscure its verse
form and bring out its prose form. Suppose, for example, we here write
"hastily," and here "rushed forth," and here "encountered," and here
"hanging," so as to make it read:
"I hastily put my hat upon my head,
And rushed forth into the Strand,
And there I encountered another man,
Whose hat was hanging in his hand."
Here we have made unmitigated prose, but how? Remembering that
original verse was in iambic 4's and 3's,
___ ___ __ ____
I put | my hat | up-on | my head |[**Diacritical marks]
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