The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
The novel,--what we call the novel--is a new invention. It is
customary to date the first English novel with Richardson in 1740; and
just as it has been impossible to confine other great inventions to
the service of virtue--for the thief can send a telegram to his pal as
easily as the sick man to his doctor, and the locomotive spins along
no less merrily because ten car-loads of rascals may be profiting by
its speed--so vice as well as virtue has availed itself of the
novel-form, and we have such spectacles as Scott, and Dickens, and
Eliot, and Macdonald, using this means to purify the air in one place,
while Zola, in another, applies the very same means to defiling the
whole earth and slandering all humanity under the sacred names of
"naturalism," of "science," of "physiology." Now I need not waste time
in descanting before this audience upon the spread of the novel among
all classes of modern readers: while I have been writing this, a
well-considered paper on "Fiction in our Public Libraries," has
appeared in the current _International Review_, which, among many
suggestive statements, declares that out of pretty nearly five
millions (4,872,595) of volumes circulated in five years by the Boston
Public Library, nearly four millions (3,824,938), that is about
four-fifths, were classed as "Juveniles and Fiction;" and merely
mentioning the strength which these figures gain when considered along
with the fact that they represent the reading of a people supposed to
be more "solid" in literary matter than any other in the country--if
we inquire into the proportion at Baltimore, I fancy I have only to
hold up this copy of James's _The American_, which I borrowed the
other day from the Mercantile Library, and which I think I may say,
after considerable rummaging about the books of that institution,
certainly bears more marks of "circulation" than any solid book in it.
In short, as a people, the novel is educating us. Thus we cannot take
any final or secure solace in the discipline and system of our schools
and universities until we have also learned to regulate this
fascinating universal teacher which has taken such hold upon all
minds, from the gravest scholar down to the boot-black shivering on
the windy street corner over his dime-novel,--this educator whose
principles are fastening themselves upon your boy's mind, so that long
after he has forgotten his _amo_ and his _tupto_, they will be
controlling his relations to his fellow-man, and determining his
happiness for life.
Public-domain text, read in full here on John Shaqi.
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