The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
See thou, that countest reason ripe
In holding by the law within,
Thou fail not in a world of sin,
And ev'n for want of such a type.
Has it crushed out his pure sense of poetic beauty? Here in No. 84 we
have a poem which, for what I can only call absolute beauty, is simply
perfect.
Sweet after showers, ambrosial air,
That rollest from the gorgeous gloom
Of evening over brake and bloom
And meadow, slowly breathing bare
The round of space, and rapt below
Thro' all the dewy-tassell'd wood,
And shadowing down the horned flood
In ripples, fan my brows, and blow
The fever from my cheek, and sigh
The full new life that feeds thy breath
Throughout my frame, till Doubt and Death
Ill brethren, let the fancy fly
From belt to belt of crimson seas
On leagues of odor streaming far
To where in yonder orient star
A hundred spirits whisper 'Peace.'
And finally we are able to see from his own words that he is not
ignorantly resisting the influences of science, but that he knows
science, reveres it and understands its precise place and function.
What he terms in the following poem (113 of _In Memoriam_) _Knowledge_
and _Wisdom_ are what we have been speaking of as Science and Poetry.
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
* * * * *
Let her know her place;
She is the second, not the first.
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child:
For she is earthly of the mind,
But Wisdom heavenly of the Soul.
O friend, who camest to thy goal
So early, leaving me behind,
I would the great world grew like thee
Who grewest not alone in power
And knowledge, but by year and hour
In reverence and in charity.
If then, regarding Tennyson as fairly a representative victim of
Science, we find him still preaching the poet's gospel of beauty, as
comprehending the evangel of faith, hope and charity, only preaching
it in those newer and finer forms with which science itself has
endowed him; if we find his poetry just so much stronger and richer
and riper by as much as he has been trained and beaten and disciplined
with the stern questions which scientific speculation has
put--questions which you will find presented in their most sombre
terribleness in Tennyson's _Two Voices_; if finally we find him
steadily regarding science as _knowledge_ which only the true poet can
vivify into _wisdom_:--then I say, life is too short to waste any of
it in listening to those who, in the face of this history, still
prophesy that Science is to destroy Poetry.
Public-domain text, read in full here on John Shaqi.
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