The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
And having thus appealed to facts, we found further that in the nature
of things no such destruction could follow; that what we call
explanation in science is at bottom only a reduction of unfamiliar
mysteries to terms of familiar mysteries, and that, since to the true
imaginative mind, whether of poet or novelist, the mysteries of this
world grow all the greater as they grow more familiar, the necessary
effect of scientific explanations is at last the indefinite increase
of food for the imagination. The modern imagination, indeed, shall
still love mystery; but it is not the shallow mystery of those small
darks which are enclosed by caves and crumbling dungeons, it is the
unfathomable mystery of the sunlight and the sun; it is this
inexplicable contradictory shadow of the infinite which is projected
upon the finite; it is this multitudinous flickering of all the other
_ego's_ upon the tissue of my _ego_: these are the lights and shades
and vaguenesses of mystery in which the modern imaginative effort
delights. And here I cannot help adding to what was said on this
subject in the last lecture, by declaring to every young man who may
entertain the hope of poethood, that at this stage of the world you
need not dream of winning the attention of sober people with your
poetry unless that poetry, and your soul behind it, are informed and
saturated at least with the largest final conceptions of current
science. I do not mean that you are to write "Loves of the Plants;" I
do not mean that you are to versify Biology; but I mean that you must
be so far instinct with the scientific thought of the time that your
poetic conceptions will rush as it were from under these pure, cold
facts of science like those Alpine torrents which flow out of
glaciers. Or,--to change the figure for the better--just as the
chemist, in causing chlorine and hydrogen to form hydrochloric acid,
finds that he must not only put the chlorine and hydrogen together,
but he must put them together in the presence of light in order to
make them combine; so the poet of our time will find that his poetic
combinations, his grandest syntheses of wisdom, own this law; and
they, too, must be effected in the presence of the awful light of
science.
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