The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
"And that which does not admit the just, nor the graceful?"
"The one, ungraceful, and the other, unjust."
"Be it so. But by what name do we call that which does not admit
death?"
"Immortal."
"Does the soul, then, not admit death?" (Socrates has already
suggested that whatever the soul occupies it brings life to.)
"No."
"Is the soul, therefore, immortal?"
"Immortal."
Socrates' argument drawn from the number 3 brings before us a great
host of these older absurdities of scientific thought, embracing many
grave conclusions drawn from fanciful considerations of number,
everywhere occurring. For briefest example: Aristotle in his book "On
the Heavens" proves that the world is perfect by the following
complete argument: "The bodies of which the world is composed ... have
three dimensions; now 3 is the most perfect number ... for of 1 we do
not speak as a number; of 2 we say _both_; but 3 is the first number
of which we say _all_; moreover, it has a beginning, a middle and an
end." You may instructively compare with this the marvelous matters
which the school of Pythagoras educed out of _their_ perfect number
which was 4, or the _tetractys_; and Plato's number of the _Republic_
which commentators to this day have not settled.
These illustrations seem sufficient to show a mental attitude towards
facts which is certainly like that one has towards a far-off country
which one does not expect to visit. The illustration I have used is
curiously borne out by a passage in Lactantius, writing so far down as
the fourth century, in which we have a picture of mediæval relations
towards nature and of customary discussions.
"To search," says he, "for the causes of natural things; to inquire
whether the sun be as large as he seems, whether the moon is convex or
concave, whether the stars are fixed in the sky or float freely in the
air; of what size and what material are the heavens; whether they be
at rest or in motion; what is the magnitude of the earth; on what
foundations it is suspended and balanced;--to dispute and conjecture
on such matters is just as if we chose to discuss what we think of a
city in a remote country of which we never heard but the name."
Public-domain text, read in full here on John Shaqi.
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