The English novel : $b From the earliest days to the death of Joseph ConradFord, Ford Madox
History
The English novel : $b From the earliest days to the death of Joseph Conrad
Ford, Ford Madox
English fiction -- History and criticism
To-day, however, even the most fugitive of novelists takes his work
more seriously and, perhaps all unconsciously, the public accords to
the more serious amongst the novelists an attention that formerly it
accorded solely to politicians, preachers, scientists, medical men, and
the like. This is because the novel has become indispensable to the
understanding of life.
It is, that is to say, the only source to which you can turn in order
to ascertain how your fellows spend their entire lives. I use the words
“entire lives” advisedly.
In older days--dating back to improvement in locomotion--it was
possible for anyone, whatever his station, to observe, at any rate
roughly as it were, a complete cross-section of the lives from cradle
to coffin of a whole social order. In England up to the days of the
stage-coach, families were planted on the land practically to all
eternity and even within my memory it was nearly impossible for the
agricultural labourer to move from one parish--nay, from one farm to
another. One of the most vivid of my souvenirs as a boy was seeing a
ploughman weep on a great down. He was weeping because he had five
children and a bad master who paid him thirteen and six a week and he
was utterly unable to get together the guinea that it would cost him
to hire a farm wagon and move his sticks of furniture to another and
better farm. Nevertheless that man knew more about human lives and
their tides and vicissitudes than I or any other town-dweller in an
age of shiftings.
He could follow the lives of local peer, local squire, doctor, lawyer,
gentleman-farmer, tenant farmer, butcher, baker, barber, parson,
gamekeeper, water-warden, and so on right down to those of the great
bulk of the population, his fellows and equals. He could follow them
from the time the kid-glove was affixed to the door-knocker as a symbol
of birth and until the passing-bell heralded their disappearance into
the clay in the shadow of the church-walls. And although that was more
emphatically true in Great Britain, the first home of the English
novel, it was almost equally true--_mutatis mutandis_--of the earlier
settled colonial districts in the United States. Until, say, the early
forties of the nineteenth century it must have been almost equally
difficult to remove from Rochester, N.Y., as from the Rochester of
Dickens, and as difficult to move from the Birmingham that gave to the
world the word Brummagem as a term of contempt, as from the Birmingham
in a Southern State of the North American Republic.
Public-domain text, read in full here on John Shaqi.
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