[164] "Saladin's meditation with himself: 'Saladin, art thou disquieted in thy thoughts?'" &c. "Rosalind's passion: 'Unfortunate Rosalind, whose misfortunes are more than thy years,'" &c. "Aliena's meditation: 'Ah! me; now I see, and sorrowing sigh to see that Diana's laurels are harbours for Venus doves,'" &c. [165] For example, in "the schedule annexed to Euphues testament," by which the dying man leaves the book to Philautus for the benefit of his children. They will find in it what is fit for the God Love, "roses to whip him when he is wanton, reasons to whistant him when he is wilie." In the same manner Sir John of Bourdeaux informs his sons that "a woman's eye as it is precious to behold, so is it prejudicial to gaze upon"; Rosalind observes to herself that "the greatest seas have the sorest stormes, the highest birth is subject to the most bale and of all trees the cedars soonest shake with the wind," &c. The same style is used in "Euphues shadow" in "Robin the divell," &c.: "Thou art like the verven (Nature) poyson one wayes, and pleasure an other, feeding me with grapes in shewe lyke to Darius vine, but not in substance lyke those of Vermandois" ("Robin the divell"). [166] "A Looking glasse for London and England." This drama was written by Lodge and by his friend Greene. The following stage direction occurs in it: "Ionas the prophet cast out of the whales belly upon the stage." [Illustration: PENSHURST, SIDNEY'S BIRTHPLACE.] CHAPTER V. SIR PHILIP SIDNEY AND PASTORAL ROMANCE.