The English Novel in the Time of ShakespeareJusserand, J. J. (Jean Jules)
History
The English Novel in the Time of Shakespeare
Jusserand, J. J. (Jean Jules)
English fiction -- Early modern, 1500-1700 -- History and criticism
"The signal for the battail being given, there began such a terrible
conflict, as that within a short time thousands lay dead in the place,
both sides maintaining their assaults with such impetuous rage as if the
Gyants had been come to heap mountains of carcasses to assail heaven and
besiege the gods; nothing but fury reigned in every breast, some that
were thrust through with lances would yet run themselves farther on to
reach their enemies and requite that mortal wound ... the earth grew of
a sanguine complexion, being covered with blood, as if every soldier had
been Death's herald, and had come to emblazon Mars's arms with a sword
Argent on a field Gules.... In one place, lay heads deposed from their
sovereignties, yawning and staring as if they looked for their
bodies."[347] One refreshing thought is the remembrance of the pure,
deep pleasure Crowne must have found in fastening together such an
unparalleled series of conceits. "Peste," is he sure to have said with
Sosie:
"Peste! ou prend mon esprit toutes ces gentillesses?"
As for the final result of these wars and love-makings, it is a very
airy one; for Crowne seems to have entertained a higher ideal of purity
than even Montausier and Orinda. His ladies bestow upon their lovers
nothing at all, not even marriage, and the author, after having been at
some trouble to re-establish order in Thessaly and other countries,
gives up all idea of getting Pandion and Amphigenia wedded, this lady,
she of the pillow above described, being as he says so very "coy."
Though not quite a match for Crowne's it must be conceded that neither
is Dryden's bombast of a mean order. The following passage which very
nearly bears comparison with the above, will show how heroism appeared
when transferred to the stage. In one of the dramas, the plot of which
Dryden took from the French romances, Almanzor thus addresses a rival:
"If from thy hands alone my death can be,
I am immortal and a god to thee,
If I would kill thee now, thy fate's so low
That I must stoop ere I can give the blow:
But mine is fixed so far above thy crown,
That all thy men,
Piled on thy back, can never pull it down:
But at my ease, thy destiny I send,
By ceasing from this hour to be thy friend.
Like heaven, I need but only to stand still,
And not concurring to thy life, I kill."[348]
[Illustration: HEROES (MOORISH ONES) AS THEY APPEARED ON THE STAGE, FROM
SETTLE'S "EMPRESS OF MOROCCO," 1673.]
Public-domain text, read in full here on John Shaqi.
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