The English Novel in the Time of Shakespeare — John Shaqi
The English Novel in the Time of ShakespeareJusserand, J. J. (Jean Jules)
History
The English Novel in the Time of Shakespeare
Jusserand, J. J. (Jean Jules)
English fiction -- Early modern, 1500-1700 -- History and criticism
But Ascham's pleading, though many others spoke to the same effect,[33]
had very little result. Learned and well informed as he was, his
"conservatism" in all things was so intense that much might be laid to
the account of this tendency of his mind. Had he not written that "his
soul had such an horror of English or Latin books containing new
doctrines that, except the psalter and the New Testament, this last,
too, in the Greek text, he had never taken any book, 'either small or
big,' to use Plato's words, concerning Christian religion"?[34] Had he
not recommended the bow as, even in those gunpowder times, the best
weapon in war? "If I were of authority, I would counsel all the
gentlemen and yeomen of England not to change it with any other thing,
how good soever it seems to be; but that still, according to the old
wont of England, youths should use it for the most honest pastime in
peace, that men might handle it as a most sure weapon in war."[35] The
other "strong weapons" must not lead men to forget this one: a thing
they have nevertheless done.
Nothing dismayed by the threat of the dire consequences of Circe's
wiles, travellers eager to see her crowded to the south. They continued
not to "exchewe the way to Circes court, but go & ryde & runne & flie
thether."[36] No education was complete without a sojourn on the
continent. Surrey, Wyatt, Sidney, penniless Robert Greene, and hundreds
if not thousands of others went there. There was an eagerness to see and
to learn that no sight and no knowledge could satisfy, that no threat
nor sermon could stop. Paris, Venice, Rome, Vienna, the Low Countries,
received an ever-increasing flood of English visitors.
II.
England in her turn, not to mention the classics of antiquity that were
being speedily translated, was flooded with French, Spanish, and Italian
books, again to the great dismay of good Ascham. If "Morte d'Arthur" was
bad, nothing worse could well be imagined than Italian books in general.
"Ten 'Morte d'Arthures' do not the tenth part so much harme as one of
these bookes made in Italie and translated in England." They are to be
found "in every shop in London," and each of them can do more mischief
than ten sermons at St. Paul's Cross can do good. They introduce into
the land such refinements in vice "as the single head of an Englishman
is not hable to invent."[37]
[Illustration: FRONTISPIECE TO HARINGTON'S TRANSLATION OF ARIOSTO, 1591,
BY COXON AND GIROLAMO PORRO.]
Public-domain text, read in full here on John Shaqi.
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