The English Novel in the Time of ShakespeareJusserand, J. J. (Jean Jules)
History
The English Novel in the Time of Shakespeare
Jusserand, J. J. (Jean Jules)
English fiction -- Early modern, 1500-1700 -- History and criticism
As for his beginning to write plays, he has left a lively account of the
casual meeting which led to his becoming attached to a company of
players and to be for a time their playwright in ordinary. It was at a
moment when his purse was empty; for as he quaintly puts it in one of
his stories: "so long went the pot to the water, that at last it came
broken home; and so long put he his hand into his purse that at last the
emptie bottome returned him a writt of _non est inventus_; for well
might the divell dance there for ever a crosse to keepe him backe."[114]
In this difficulty he met by chance a brilliantly dressed fellow who
seemed to be a cavalier, and happened to be a player. It is a well-known
fact that if scenery was scanty in Elizabethan play-houses, the players'
dresses were very costly, and if need there was, this would be an
additional proof that no monetary consideration would have induced the
young man who played, for example, the part of Shakespeare's Cleopatra,
to appear in less than queenly ruffs and farthingales, such as Rogers
has represented in his portrait of Elizabeth.
"What is your profession? said Roberto [that is, Robert Greene].[115]
"Truely, sir, said he, I am a player.
"A player, quoth Roberto; I tooke you rather for a gentleman of great
living, for if by outward habit men should be censured, I tell you, you
woud be taken for a substantiall man.
"So am I, where I dwell, quoth the player, reputed able at my proper
cost, to build a windmill. What, though the worlde once went hard with
me, when I was faine to carrie my playing fardle a footebacke; _tempora
mutantur_ ... it is otherwise now; for my share in playing apparell will
not be solde for two hundred pounds."
The player goes on relating his own successes, the parts he performs,
and how he had been himself for a while the playwright of his troop, but
that had been some time ago; tastes are changing and his wit is now out
of fashion: "Nay, more, I can serve to make a prettie speech, for I was
a countrie author, passing at a morall, for it was I that pende the
moral of mans wit, the Dialogue of Dives, and for seaven yeeres space
was absolute interpreter of the puppets. But now my Almanacke is out of
date:
The people make no estimation
Of morals teaching education.
"Was not this prettie for a plaine rime extempore? If ye will, ye shall
have more.
"Nay, it is enough, said Roberto, but how meane you to use mee?
"Why, sir, in making playes, said the other, for which you shall be well
paid, if you will take the paines."
Greene did so, and with no mean success. He grew more and more famous,
and, without becoming more wealthy, had the pleasure of being able to
squander at one time much larger sums of money than before: "Roberto was
now famozed for an arch-playmaking-poet; his purse, like the sea,
somtime sweld, anon like the same sea fell to a low ebb; yet seldom he
wanted, his labors were so well esteemed."
Public-domain text, read in full here on John Shaqi.
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