One or two Oxford bindings of the time show a curious return to another early English style in which the ornament was disposed in circles or part of circles. The finest example is on the Lathbury in the University Library. The centre of each side is ornamented with a circle formed by the repetition of a die depicting two birds drinking from a cup. This die was evidently cut for use in this special way, for the top is wider than the bottom, like the stones of the arch of a bridge, so that when stamped side by side they would work round into a circular form. Another binding of the same style is in the library of St John’s College, Cambridge, and both bear the most extraordinary resemblance, allowing for the different shape and style of the dies, to the covers of the Winchester Domesday book written in 1148 and bound about the same time. Early bindings fall into three classes, those ornamented with small dies, in vogue until about the end of the fifteenth century, panel stamped bindings used in the early part of the sixteenth, and, finally, the bindings decorated by a roll tool which begin about 1520. We cannot suppose that the Oxford stationers did not use panel stamps, but so far none can be identified as peculiar to Oxford. The panels of Peter Actoris have been already spoken of, but it is not certain they were ever used in Oxford. Henry Jacobi, who came to Oxford from London about 1512 and died in 1514, had certainly various panels which he had used in London, but he may not have transferred them to Oxford. Of stationers or binders who lived and worked in Oxford alone no single panel has yet been identified. Unfortunately, not a single book printed for or at Oxford in the early sixteenth century is known in an original binding. In good specimens of roll-tooled bindings again Oxford is singularly deficient, in curious contrast to Cambridge, which rivals if not surpasses London in this class of work. There are no fine broad rolls, and only one bearing initials. This is a roll engraved with a waving spray of foliage containing in the curves the initials R. H. M. I. What these initials stand for is unknown, and the roll is only claimed as an Oxford one from its use on the covers of a Brasenose College register. For the rest of the century Oxford binding is entirely uninteresting. LECTURE II. SAINT ALBAN’S, YORK, AND HEREFORD.