The English Spy: An Original Work Characteristic, Satirical, And Humorous.: Comprising Scenes And Sketches In Every Rank Of Society, Being Portraits Drawn From The LifeWestmacott, C. M. (Charles Molloy)
General
The English Spy: An Original Work Characteristic, Satirical, And Humorous.: Comprising Scenes And Sketches In Every Rank Of Society, Being Portraits Drawn From The Life
Westmacott, C. M. (Charles Molloy)
England -- Social life and customs; Satire, English; University of Oxford -- Anecdotes
Ever on the alert for novelty, we hopped into and dined at the Coal Hole
Tavern in the Strand, certainly one of the best and cheapest ordinaries
in London, and the society not of the meanest. Rhodes himself is a
punster and a poet, sings a good song, and sells the best of wine; and
what renders mine host more estimable, is the superior manners of the
man. Here was congregated together a mixed, but truly merry company,
composed of actors, authors, reporters, clerks in public departments,
and half-pay officers, full of whim, wit, and eccentricity, which, when
the mantling bowl had circulated, did often "set the table in a roar."
In the evening, Transit proposed to us a visit to the Life Academy,
Somerset House, where he was an admitted student; but on trying the
experiment, was not able to effect our introduction: you must therefore
be content with ~365~~his sketch of the _true sublime_, in which he has
contrived to introduce the portraits of several well-known academicians
_(see plate)_.
[Illustration: page365]
Thus far Horatio Heartly had written, when the unexpected appearance
of Bernard Blackmantle in London cut short the thread of his narrative.
"Where now, mad-cap?" said the sincere friend of his heart: "what
unaccountable circumstance can have brought you to the village in term
and out of vacation?" "A very uncommon affair, indeed, for a young
author, I assure you: I have had the good fortune to receive a notice
from the managers of the two Theatres Royal, that my play is accepted at
Covent Garden, and my farce at Drury Lane, and am come up post-haste
to read them in the green rooms to-morrow, and take the town by storm
before the end of the next month." "It is a dangerous experiment," said
Horatio. "I know it," replied the fearless Bernard; "but he who fears
danger will never march on to fortune or to victory. I am sure I have a
sincere friend in Charles Kemble, if managerial influence can ensure the
success of my play; and I have cast my farce so strong, that even with
all Elliston's mismanagement, it cannot well fail of making a hit. _Nil
desperandum_ is my motto; so a truce with your friendly forebodings of
doubts, and fears, and critics' _scratches_; for I am determined 'to
seek the bubble reputation even in the cannon's mouth.'" Thus ended the
colloquy, and on the morning of the morrow Bernard was introduced, in
due form, to the _dramatis personae_ of the Theatre Royal, Covent Garden
(see plate).
[Illustration: page366]
Public-domain text, read in full here on John Shaqi.
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