After having dined I went to see the Swiss Mountain, which had made a noise whilst I was at dinner that very much resembled distant thunder. I had no idea what it was; my surprise may therefore be conceived when, on coming suddenly in sight of it, I saw a man, apparently sitting on a chair, whirl past me with a velocity more resembling the speed of lightning than anything I had before seen,--so much so, that though from the top to the bottom where they drop might be about 200 feet, I had merely time to perceive that there was a man seated on some sort of vehicle like a chair. The mountain consisted of boards raised at an angle of about from 60° to 70° with the ground, and gradually becoming level. The distance from where they set off to where they stop I have before stated, I think, to be about 200 feet. This platform is sufficiently broad to allow three of the vehicles to go down and one to return up at the same time--that is to say, there are four iron grooves accurately fitted to the small wheels on which the vehicles move. There are horses as well as chairs for both ladies and gentlemen. I saw several gentlemen on horseback and one lady. The horses appear to me to be real horses' hides, perhaps covering a wooden horse. They are accoutred with saddle, stirrups, and bridle. One person who came down on one of these horses rose and fell in his stirrups as though riding a real horse; it created much laughter, and the people surrounding immediately called out "Un Anglais! un Anglais!" I believe he was an Englishman. It had a ridiculous effect to observe the anxiety depicted on the countenances of the heroes, and compare them, with the knowledge of their perfect safety, with the laughing groups that surrounded them. Sometimes a veteran hero would mount one of the horses and come down with triumph in his countenance; the effect then became still more ridiculous, for he seemed like a great baby mounted on a hobby-horse proportionately large. But so it is through life, I think; one sees people capable of being elated as much by actions little in themselves, but enlarged for the instant by circumstances, as, for instance, in this case--the rapidity of motion, the gay crowd, and the distant music--as they would have been by an action really great in itself but unembroidered by outward show.