The Englishwoman in Russia : $b impressions of the society and manners of the Russians at homeA lady
History
The Englishwoman in Russia : $b impressions of the society and manners of the Russians at home
A lady
Russia -- Social life and customs -- 1533-1917
merely walking to and fro in pairs placed one behind the other in a long
line. They moved forwards and then backwards to a monotonous singsong
kind of air; on advancing, the first two changed places with the last
couple, and so on in succession. The amusement seemed to afford them
intense delight, and so fond are they of it that they keep it up for
hours together. On the opposite side of the yard the men were having a
ball amongst themselves; their performance was more entertaining, and
we laughed heartily at a comic pas de deux by a couple of young men,
who capered about in a very diverting manner. Another peasant danced a
solo in very good style. After the dancing the men sang us some national
airs; each took the hand or leant on the shoulder of his neighbour,
“in order to unite the tones,” as they said. We thanked them for their
entertainment, and re-entered the house to take our leave of the good
Starosta and his family, when we again expressed our wishes for their
happiness, but we were not allowed to depart until we had drunk their
health in a glass of champagne, a wine which the Russians give upon all
extraordinary occasions. As we were stepping into the boat the peasants
gave us a parting cheer, and far away, when the village was quite lost
to our view in the distance, we heard their wild voices still singing
in chorus their beautiful national airs in honour of the young Russian
bride.
CHAPTER III.
Travellers in Russia—False impressions—Civilization in the
Czar’s dominions—Public roads—Morasses and forests—The Vologda
road—Wretched horses—Rough roads—The crown peasants—Aspect
of the villages—Civilization of the _people_—Vanity of the
Russians—Provincial towns—The churches—The postmasters—The
yemstchicks, or drivers—Personal appearance of the
peasantry—Their costumes—Crossing the Dwina—Pleasing
scene—Village burying-ground.
Public-domain text, read in full here on John Shaqi.
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