The Englishwoman in Russia : $b impressions of the society and manners of the Russians at homeA lady
History
The Englishwoman in Russia : $b impressions of the society and manners of the Russians at home
A lady
Russia -- Social life and customs -- 1533-1917
The French theatre is extremely good; all the best artistes from Paris
are engaged for the season at enormous salaries. We were informed that
his Majesty once said to the Director that “he was one of his best
friends, because he amused society.” A great deal more was perhaps _sous
entendu_ than the mere words expressed. It is certain that, as long as
the government can get the people (that is the upper classes—there are no
“gods” in Russia) to wrangle and quarrel about the merits of an actress
or a singer, instead of thinking upon what great events are passing
around them, it is safe enough, and security is worth purchasing at
any rate. This last winter, as _very_ extraordinary affairs were being
transacted, Madlle. Rachel was imported: I forget the exact amount she
received, but the diamonds and jewels with which she was presented were
of enormous value, and her performance, the Czar’s generosity, and her
_conduct_ furnished all the nobility and gentry with a fruitful theme of
conversation. As the climax to all the compliments paid this actress,
the Emperor did the _Empress_ the _honour_ of presenting Madlle. Rachel
to her, and gracefully led her to his consort’s presence. Madlle.
Rachel in return wrote a flourishing letter to the Emperor (a copy of
which was shown me), containing innumerable highflown compliments on
his might and power, and she spoke of the tears of gratitude she shed
on her return to her lodgings, &c.: it was handed round with about as
much reverence as we should do an autograph epistle of Shakspere or of
Alfred the Great. Doubtless, the great tragedian laughed heartily at it
all, and thought the Russians a set of dupes. As politics are dangerous
subjects to talk about, and as people must have something to converse
on, the actors and actresses take the place of “whigs and tories;” their
performance, of some “new measure;” their manners and conduct, of “new
bills and reforms;” and the news of a fresh play, of “a change in the
ministry.” English people can only wonder how a society such as that in
St. Petersburg can employ all their energies about such absurdities.
Public-domain text, read in full here on John Shaqi.
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