A work of art is born of the artist's desire to express his joy in some
new aspect of the universal harmony which has been disclosed to
him. The mission of art is through interpretation to reveal. It
happens sometimes that a visitor at an exhibition of paintings is
shocked by a picture which seems to him for the moment impossible,
because so far beyond the range of his experience; yet withal he
finds himself attracted by it and he returns to study it. It is not many
days before his glance is arrested by that very effect in nature, and
he says, "Why, that is like that picture!" It was the artist who first
saw it and who taught him to see it for himself. When one observes
an effect in nature or in life that one calls "a Corot" or "a Whistler,"
one means that to Corot or to Whistler is due the glory of
discovering that fuller beauty and revealing it. Browning makes Fra
Lippo Lippi say:
"We're made so that we love
First when we see them painted, things we have passed
Perhaps a hundred times nor cared to see;
And so they are better, painted--better to us,
Which is the same thing. Art was given for that."
This revealing power of art is not restricted to the individual
appreciator. It is said that the French are an artistic people and that
Americans are not. The explanation is that for generations the artists
of France have been discovering to their countrymen the beauty that
is around them at their very door, and have taught them to appreciate
it. The Americans will be an artistic people when our artists shall
have done the like for us. When there shall have been for
generations a truly native American art, there will be a public to
understand and to appreciate. So it is that everywhere the high
function of art is to reveal. As a friend, more sensitive and more
enthusiastic, with whom we are strolling, points out to us many
beauties by the wayside or in trees and sky, so the artist takes us by
the hand and leads us out into life, indicating for us a harmony to
which we were blind before. Burdened with affairs and the daily
round, we had not thought to look off and out to the spreading
meadows tossing into hills which roll upward into the blue heaven
beyond.
Public-domain text, read in full here on John Shaqi.
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