In 1821 _The Ayrshire Legatees_ was followed up by the _Annals of the
Parish_, which displayed Galt’s singular and original genius in fuller
perfection. That his epic failed, and the _Annals_ marked a literary
success, is much to the credit of his contemporaries. Perhaps if Crabbe
had not perversely insisted on being a poet we might have had country
tales of his as worthy of immortality as the _Annals of the Parish_.
The book is commonly said to be Galt’s masterpiece: which it is not.
But it is unique and perfect. That _The Entail_ is really Galt’s
masterpiece seems to me clear: nevertheless there are weak parts in it,
and the less good chapters are lamentably unequal to the best: whereas
the _Annals of the Parish_ has no weak chapters, and the balance of
excellence is maintained throughout. But there is no story in the
_Annals_; and, though it is a long gallery of perfect portraits, it
has no characters that can even be compared with Watty and the Leddy o’
Grippy.
Where the _Annals_ peculiarly excel is in the rare quality of _charm_:
it has no hero, and the central figure is enriched with foibles that
do not lean to heroism’s side: but they are quaintly attractive, and
no one but Galt has given to literature any one like him. Of pathos
Galt is shy in the _Annals_; nowhere is he at all disposed to ‘wallow’
in it: but he draws reverently near, and moves away as reverently.
Nor is he boisterously funny: his wit is all his own, and it crops up
at every corner, but not noisily: it cuts few capers, and has a pawky
discretion. It is singularly void of malice and haughtiness, and has
a Shakespearian humanity and blandness that fails to remind one of
Thackeray. The _Annals of the Parish_ prove that a great writer can
make a whole book intensely amusing and extraordinarily amiable: that
perfectly clear sight need not be merciless, nor wit remorselessly
cruel.
The great and just success of the _Annals of the Parish_ made Galt
prolific: and in rapid sequence came _Sir Andrew Wylie_, _The Entail_,
_The Steamboat_, _The Provost_, _Ringan Gilhaize_, _The Spaewife_,
_Rothelan_, and _The Omen_.
Public-domain text, read in full here on John Shaqi.
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