Were this an essay on _The Entail_ it would not suffice to quote the
criticism of great writers upon the work: the essayist would need to
justify his own admiration of it by quotation from the book itself.
And this he has done at full length in (as Cousin Feenix said) another
place. But in an Introduction there can be no occasion to detain the
reader from making acquaintance on his own account with the Leddy and
Watty, Claud, and the Milrookits. He will not, with the book in his
hand, need to be told which scenes are inimitable. There are many which
he will never be content to read but once: though I venture to think
that he will not arrive at Lord Jeffrey’s conclusion that the drowning
of George Walkinshaw is the most powerful single sketch in the work.
Powerful all the same it is; and, since Lord Byron’s dictum concerning
the Leddy has given the hint, we may be the more readily forgiven for
thinking that there is, in that grim passage, something Shakespearian
about the little cabin-boy.
JOHN AYSCOUGH.
THE ENTAIL
TO THE KING.
_SIRE_,
_With the profoundest sense of your Majesty’s gracious condescension,
the Author of this work has now the honour to lay it, by permission, at
your Majesty’s feet._
_It belongs to a series of sketches, in which he has attempted to
describe characters and manners peculiar to the most ancient, and
most loyal, portion of all your Majesty’s dominions;--it embraces a
great part of the last century, the most prosperous period in the
annals of Scotland, and singularly glorious to the administration of
your Majesty’s Illustrious Family;--it has been written since the era
of your Majesty’s joyous Visit to the venerable home of your Royal
Ancestors;--and it is presented as a humble memorial of the feelings
with which the Author, in common with all his countrymen, did homage to
the King at Holyrood._
_He has the happiness to be,
SIRE,
Your Majesty’s
Most dutiful and most faithful_
SUBJECT AND SERVANT.
Edinburgh, 3d December 1822.
THE ENTAIL
CHAPTER I
Public-domain text, read in full here on John Shaqi.
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