anything that happens turns inevitably, and in a surprisingly short
time, into legend. Thus, an unimportant, probably unpunished, attack by
Basque mountaineers on the Emperor's rear-guard has become, in the _Song
of Roland_, a great infamy of Saracenic treachery, which must be greatly
avenged.
Such, in a broad description, is the nature of epic poetry. To define it
with any narrower nicety would probably be rash. We have not been
discovering what an epic poem ought to be, but roughly examining what
similarity of quality there is in all those poems which we feel,
strictly attending to the emotional experience of reading them, can be
classed together and, for convenience, termed epic. But it is not much
good having a name for this species of poetry if it is given as well to
poems of quite a different nature. It is not much good agreeing to call
by the name of epic such poems as the _Iliad_ and the _Odyssey_,
_Beowulf_ and the _Song of Roland_, _Paradise Lost_ and _Gerusalemme
Liberata_, if epic is also to be the title for _The Faery Queene_ and
_La Divina Commedia_, _The Idylls of the King_ and _The Ring and the
Book_. But I believe most of the importance in the meaning of the word
epic, when it is reasonably used, will be found in what is written
above. Apart from the specific form of epic, it shares much of its
ultimate intention with the greatest kind of drama (though not with all
drama). And just as drama, whatever grandeur of purpose it may attempt,
must be a good play, so epic must be a good story. It will tell its tale
both largely and intensely, and the diction will be carried on the
volume of a powerful, flowing metre. To distinguish, however, between
merely narrative poetry, and poetry which goes beyond being mere
narrative into the being of epic, must often be left to feeling which
can scarcely be precisely analysed. A curious instance of the
difficulty in exactly defining epic (but not in exactly deciding what is
epic) may be found in the work of William Morris. Morris left two long
narrative poems, _The Life and Death of Jason_, and _The Story of Sigurd
the Volsung_.
Public-domain text, read in full here on John Shaqi.
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