At the bottom of the stair‐way I found myself in a low, narrow passage,
through which, without stooping almost to earth, it was impossible to
proceed. Though leading through a multiplicity of dark windings, this way
seemed but little to advance my progress,—its course, I perceived, being
chiefly circular, and gathering, at every turn, but a deeper intensity of
darkness.
“Can this,” I thought, “be the sojourn of any thing human?”—and had
scarcely asked myself the question, when the path opened into a long
gallery, at the farthest end of which a gleam of light was visible. This
welcome glimmer appeared to come from some cell or alcove, in which the
right‐hand wall of the gallery terminated, and, breathless with
expectation, I stole gently towards it.
Arrived at the end of the gallery, a scene presented itself to my eyes,
for which my fondest expectations of adventure could not have prepared me.
The place from which the light proceeded was a small chapel, of whose
interior, from the dark recess in which I stood, I had, unseen myself, a
full and distinct view. Over the walls of this oratory were painted some
of those various symbols, by which the mystic wisdom of the Egyptians
loves to shadow out the History of the Soul—the winged globe with a
serpent,—the rays descending from above, like a glory, and the Theban
beetle, as he comes forth, after the waters have passed away, and the
first sunbeam falls on his regenerated wings.
In the middle of the chapel stood a low altar of granite, on which lay a
lifeless female form, enshrined within a case of crystal,—as they preserve
their dead in Ethiopia,—and looking as freshly beautiful as if the soul
had but a few hours departed. Among the emblems of death, on the front of
the altar, were a slender lotus‐branch, broken in two, and a bird, just
winging its flight from the spray.
To these memorials of the dead, however, I but little attended; for there
was a living object there upon which my eyes were most intently fixed.
The lamp, by which the whole of the chapel was illuminated, was placed at
the head of the pale image in the shrine; and, between its light and me,
stood a female form, bending over the monument, as if to gaze upon the
silent features within. The position in which this figure was placed,
intercepting a strong light, afforded me, at first, but an imperfect and
shadowy view of it. Yet even at this mere outline my heart beat high,—and
memory, as it proved, had as much share in this feeling as imagination.
For, on the head changing its position, so as to let a gleam fall on the
features, I saw with a transport, which had almost led me to betray my
lurking‐place, that it was she—the young worshipper of Isis—the same, the
very same, whom I had seen, brightening the holy place where she stood,
and looking like an inhabitant of some purer world.
Public-domain text, read in full here on John Shaqi.
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