Though study, as may easily be supposed, engrossed but little of the
mornings of the Garden, yet the lighter part of learning,—that portion of
its attic honey, for which the bee is not obliged to go very deep into the
flower—was zealously cultivated. Even here, however, the student had to
encounter distractions, which are, of all others, least favourable to
composure of thought; and, with more than one of my fair disciples, there
used to occur such scenes as the following, which a poet of the Garden,
taking his picture from the life, described:—
“As o’er the lake, in evening’s glow,
That temple threw its lengthening shade,
Upon the marble steps below,
There sate a fair Corinthian maid,
Gracefully o’er some volume bending;
While, by her side, the youthful Sage
Held back her ringlets, lest, descending,
They should o’er‐shadow all the page.”
But it was for the evening of that day, that the richest of our luxuries
were reserved. Every part of the Garden was illuminated, with the most
skilful variety of lustre; while over the Lake of the Temples were
scattered wreaths of flowers, through which boats, filled with beautiful
children, floated, as through a liquid parterre.
Between two of these boats a perpetual combat was maintained;—their
respective commanders, two blooming youths, being habited to represent
Eros and Anteros; the former, the Celestial Love of the Platonists, and
the latter, that more earthly spirit, which usurps the name of Love among
the Epicureans. Throughout the evening their conflict was carried on with
various success; the timid distance at which Eros kept from his more
lively antagonist being his only safeguard against those darts of fire,
with showers of which the other continually assailed him, but which,
luckily falling short of their mark upon the lake, only scorched the
flowers upon which they fell, and were extinguished.
In another part of the gardens, on a wide verdant glade, lighted only by
the moon, an imitation of the torch‐race of the Panathenæa was performed,
by young boys chosen for their fleetness, and arrayed with wings, like
Cupids; while, not far off, a group of seven nymphs, with each a star on
her forehead, represented the movements of the planetary choir, and
embodied the dream of Pythagoras into real motion and song.
At every turning some new enchantment broke upon the ear or eye.
Sometimes, from the depth of a grove, from which a fountain at the same
time issued, there came a strain of music, which, mingling with the murmur
of the water, seemed like the voice of the spirit that presided over its
flow;—while sometimes the strain rose breathing from among flowers; and,
again, would appear to come suddenly from under ground, as if the foot had
just touched some spring that set it in motion.
Public-domain text, read in full here on John Shaqi.
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