The music was almost wholly in the Turkish style (aria Turchesca), and the ancient songs of the peasantry of Apulia, which increased in number annually, were well suited to the abrupt and lively notes of the Turkish drum and the shepherd’s pipe. These two instruments were the favourites in the country, but others of all kinds were played in towns and villages, as an accompaniment to the dances of the patients and the songs of the spectators. If any particular melody was disliked by those affected, they indicated their displeasure by violent gestures expressive of aversion. They could not endure false notes, and it is remarkable that uneducated boors, who had never in their lives manifested any perception of the enchanting power of harmony, acquired, in this respect, an extremely refined sense of hearing, as if they had been initiated into the profoundest secrets of the musical art[285]. It was a matter of every day’s experience, that patients showed a predilection for certain Tarantellas, in preference to others, which gave rise to the composition of a great variety of these dances. They were likewise very capricious in their partialities for particular instruments; so that some longed for the shrill notes of the trumpet, others for the softest music produced by the vibration of strings[286]. Tarantism was at its greatest height in Italy in the seventeenth century, long after the St. Vitus’s Dance of Germany had disappeared. It was not the natives of the country only who were attacked by this complaint. Foreigners of every colour and of every race, negroes, gipsies, Spaniards, Albanians, were in like manner affected by it[287]. Against the effects produced by the Tarantula’s bite, or by the sight of the sufferers, neither youth nor age afforded any protection; so that even old men of ninety threw aside their crutches at the sound of the Tarantella, and, as if some magic potion, restorative of youth and vigour, were flowing through their veins, joined the most extravagant dancers[288]. Ferdinando saw a boy five years old seized with the dancing mania[289], in consequence of the bite of a tarantula, and, what is almost past belief, were it not supported by the testimony of so credible an eye-witness, even deaf people were not exempt from this disorder, so potent in its effect was the very sight of those affected, even without the exhilarating emotions caused by music[290].