Erotic literature -- History and criticism; Psychoanalysis and literature; Sex in literature
Tolstoi's conversion was due to the wild days he spent as a young man.
He was a proud aristocrat, and gave play to all his instincts; he was
an atheist and pessimist, he was a gambler and a rake. He shows us his
evolution in his various novels and autobiographical works. He finally
came to deify ignorant peasants and advocated extreme non-resistance.
He worshipped poverty, practised self-abnegation, and derogated sex.
But, after all, his latter views are but the reactions to the life he
led in youth, and a regression with some changes to views he was taught
in childhood.
The same is true of Strindberg, who as a young man was an atheist, and
a believer in free love; through the sufferings brought about by his
three marriages and his attacks of insanity, he "turned." He looked
with disapproval upon his early ideas, attributed much of his misery
to his entertaining them; hence he discarded them, and returned to the
religious views he held as a child. But his greatest work belonged to
the period when he held liberal ideas.
Dostoievsky was really always a devout orthodox Christian, even in his
early revolutionary days. His great suffering in Siberia chastened him,
and made him find a welcome religion in the religion of suffering,
a guide in Christ who suffered. He is always at pains in his later
novels to prove the existence of a personal God--a fact which makes one
suspect that he had his own doubts, and that he tried to rid himself of
them by his writing. Being also an epileptic, he would, particularly in
these attacks, digress to infantile fixations and they would lead him
to worship his sublimated "Father in Heaven."
There are many who naïvely insist that these men, when they went back
to the belief of childhood days, had at last come to see the truth. The
point of view taken is dependent on whether a man considers belief in
the dogma of a religion a fetter or an asset.
In English literature we have as examples of reactions, both in
religion and politics, the Lake School poets, Wordsworth, Coleridge
and Southey. All of them later turned away from the republican and
pantheistic ideas of their youth. The reason Southey fought so bitterly
against free thinkers like Byron and Shelley, is that in youth he,
like them, also was attached to the ideas of the French Revolution. He
became a Tory of Tories, showed disapproval of all the leading thinkers
of the time, of men like Hazlitt, Lamb and Hunt. Liberal ideas, it is
well known, have no greater enemy than a renegade liberal. Southey
was sufficiently pilloried by Byron in the _Vision of Last Judgment_,
and the psychology of his reaction has been drawn in the portrait of
him by Hazlitt in _The Spirit of the Age_, while the gentle Lamb has
administered to him a rebuke in the immortal _Letter of Elia to Robert
Southey_.
Public-domain text, read in full here on John Shaqi.
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