The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and Mausoleum — John Shaqi
The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and MausoleumCalvert, Albert Frederick
History
The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and Mausoleum
Calvert, Albert Frederick
Escorial
Buildings, like poems or pictures, reflect the character of those who
conceive and produce them. The Escorial may be likened to a document or
a painting revealing the temperament, the aspirations, and the
philosophy of a powerful, sombre, and withal, fascinating personality.
Its severe form and its restrained embellishment are stamped with the
individuality of the monarch who devoted the leisure of thirty years of
his life to the erection, extension, improvement, and internal adornment
of an immense and costly pile, comprising within its walls a monastery,
a church, a burial-fane, a palace, a college, and a gallery of the arts.
The Escorial was a place of retirement, an imposing hermitage for the
devout and moody Philip II. of Spain. It is a monument to his power, a
revelation of his mind; and, if we study the edifice, we shall learn
what manner of man he was who founded it.
Ferdinand and Isabella consolidated Spain into one great empire, and
under their grandson, Charles V., the nation advanced in greatness,
until it held sway over vast regions of the New World. When the Emperor
Charles yielded sovereignty, in 1556, the sceptre passed to his son,
Philip. Two years after, upon the death of the Emperor (Sept. 21, 1558),
Philip II. became ruler over the whole of the Spanish dominion at home
and abroad.
The heir of Charles V. was born at Valladolid on May 21, 1527. His
mother was the Empress Isabella, daughter of Emanuel the Great of
Portugal, and by his father he descended from Charles the Bold of
Burgundy. Under the tutorship of Juan Martinez Siliceo, the young prince
received his education at the celebrated University of Salamanca. He
excelled in knowledge of the classics, and exhibited considerable
linguistic talent, for he was able to write in Latin with facility and
possessed an acquaintance with French and Italian. Architecture,
painting, and sculpture interested the youth, and he studied
mathematics.
His royal mother died when Philip was twelve years old. Four years later
the prince was betrothed to the Infanta Mary, daughter of John III. of
Portugal and Catherine, sister of the Emperor Charles V. In 1543 this
desired alliance with Portugal was confirmed by the marriage of Philip
to his cousin, the Infanta, in the city of Salamanca. Shortly after the
ceremony, the young pair went to reside in Valladolid, and here was born
to them a son, Don Carlos, whose mysterious death in captivity at the
age of twenty-three remains unexplained.
In giving birth to her first child, the princess lost her life. Before
the rejoicings of the nation at the birth of a prince were at an end,
the country was startled by the death of the young mother, and gaiety
was suddenly changed to mourning. From the Cathedral of Granada, where
the body of the Princess Mary was buried, the remains were afterwards
removed to the stately mausoleum of the Escorial, the resting-place for
the bones of the royal family of Spain, which was erected by Philip many
years later.
Public-domain text, read in full here on John Shaqi.
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