The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and Mausoleum — John Shaqi
The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and MausoleumCalvert, Albert Frederick
History
The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and Mausoleum
Calvert, Albert Frederick
Escorial
The battle of St. Quintin, in August 1557, which saw the triumph of the
Spanish arms over the French, was an event of extreme moment, and was
the source of Philip’s resolve to erect the Escorial. In this engagement
the Duke of Savoy, at the head of the Spanish troops, D’Egmont, in
command of the Dutch and German horsemen and infantry, and Lord Pembroke
with his force of British soldiers, defeated the army of France, and
killed three thousand men. During the height of the battle, which was
fought on the day dedicated to San Lorenzo, Philip besought the
assistance of that saint, and vowed that if aid were vouchsafed, he
would build a mighty and permanent monument to the deliverer.
The French general was the Duke de Nevers, who was assisted by the
Constable of France, Montmorency. To Coligni, the great admiral, was
given the task of augmenting the garrison of St. Quintin. The troops of
France were nevertheless greatly outnumbered by the Spanish forces.
Flemings, Englishmen, and Spaniards, in combined array, made desperate
assault upon the defenders of St. Quintin. In a last rally the French
formed squares, but the artillery of the Duke of Savoy broke up their
ranks. Montmorency was among the prisoners who were seized by the
Spanish, and it is recorded that he was treated with considerate
courtesy.
It is probable that another motive in addition to gratitude to San
Lorenzo actuated Philip II. in building the monastery of the Escorial.
He was under an obligation by the will of Charles V. to erect a royal
burial-place, and the example of his father in yielding the crown for
the ascetic life of the cloister may have induced him to add a religious
house to the mausoleum, and to provide a retreat for himself in the
closing days of his reign. Whatever may have inspired the resolution, it
is quite evident that the idea took passionate possession of the king’s
mind, and that he spent vast treasure and much industry upon the work of
rearing this extraordinary conglomerate pile.
The choice of a situation for the building accords with all that we know
of Philip’s trend of thought and feeling in middle life. He was not
hasty in determining the position for the upraising of his monument. The
place must be solitary, stern, and amid impressive surroundings, where
nature is seen in a mood of perennial musing and melancholy. No doubt
the king wandered often in the wastes of Castile, among the rocks, the
treeless plains, and the mountainous surrounding of Madrid, in quest of
a suitable site for his hermitage and sanctuary. It was necessary, in a
material sense, that the district should produce an abundance of stone
of a durable quality.
Public-domain text, read in full here on John Shaqi.
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