Let us then begin by stating that the Western or Principal Frontage is 744 feet long and 72 feet high, and that the towers at either end are 200 feet in height. The chief entrance is in the centre of the façade, and it is known as the Portico Principal del Monasterio. Supporting the cornice are eight Doric columns, and a door, 20 feet high and 12 feet wide, is placed between the central columns. The door is white, with huge copper-gilt studs and knockers. Surrounding the door are the enormous blocks of stone, which were carried here upon specially constructed wains, drawn by forty-eight pairs of oxen. The panels on each side of the doorway are decorated with gridirons in relief, as symbols of the martyrdom of San Lorenzo. Monegro’s figure of San Lorenzo, huge, and carved in stone, stands above the door. The head and the hands are of Andalusian marble. Monegro is said to have asked the sum of 20,900 reales for carving this effigy, and other 7700 reales for the arms of Spain carved below the statue. Of the other doors, one leads to the cellars, the lower cloisters, and the kitchens, and the other to the Colegio. Their character is simple, and they are constructed of large blocks of stone, after the plan of the chief entrance. The Vestibule is about 80 feet wide, and leads into the Patio de los Reyes, or Court of the Kings. To the right of the Vestibule are the Libraries, the Refectory, and the Convent, and on the left is the College. The walls of the Patio are decorated with pilasters, and there are many fine windows to the apartments. Six statues of the Reyes de Judea stand in the Court, the work of Monegro, who used granite for the bodies and marble for the head and hands, as in the case of the effigy of San Lorenzo, above the main gateway. The statues represent Jehosaphat, Hezekiah, David, Solomon, Josiah, and Manasseh, but they are not works of the highest order. The first king has a chopper, and there are a ram and loaves of bread by his side; while the second has also a ram, and in his hand a large incense box. David is appropriately supplied with a harp and a sword, and the symbol of Solomon is a volume. Josiah also holds a book, and Manasseh a compass and square. These Kings of Israel are chosen because they each directed the work of building and beautifying the Temple. The general plan of the Escorial is a parallelogram of 3000 feet in circumference and 500,000 square feet. This massive pile is everywhere severely uniform, though its rigidity is relieved by the towers of the Monastery, the charming gardens of the palace with their fine arches, and by the spires and doorways. The granite employed in the building is of a light colour, and is, for the most part, highly polished. There are four façades. We have inspected the western or principal frontage, and we may now pay some attention to the east front, which bears points of resemblance to that of the south.