The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and MausoleumCalvert, Albert Frederick
History
The Escorial: A Historical and Descriptive Account of the Spanish Royal Palace, Monastery and Mausoleum
Calvert, Albert Frederick
Escorial
The ‘Panteon de los Reyes’, the royal sepulchre, was finished in 1654.
It was intended that it should be severely plain; but after the time of
Philip II., those who continued the work, indulged their fancy for gilt
decoration. A portrait of Father Nicolas is seen as we enter the
staircase of the vaults; and after descending about a score of steps, we
reach the Panteon de las Infantas and the Panteon de los Infantes, where
rest the remains of the two sisters of Charles V., Don John of Austria,
and other royal persons. This part of the royal vaults is not of
especial interest architecturally, and a more adequate place of
sepulture is now being constructed.
The doorway of the vaults is of marble and bronze, and there is a tablet
with the following inscription: ‘To the very good and very great God;
sacred spot dedicated by the piety of the Austrian dynasty to the mortal
remains of the Catholic kings, who await the desired day under the high
altar consecrated to the Redeemer of the human race. Charles V., most
glorious of the emperors, resolved this place to be the last bed of
himself and his lineage; Philip II., the wisest of kings, designed it;
Philip III., a monarch sincerely pious, continued the work; Philip IV.,
great for his clemency, his constancy, and his devotion, augmented,
adorned, and terminated it in the year of the Lord 1654.’
The figures of Italian bronze near the tablet, symbolise Humanity and
Hope. From this point the descent to the tombs is made upon steps of
marble, with three landings, until an octagonal chamber is reached. A
great candelabrum of bronze hangs here, and there are relief figures of
the Apostles. The decorations of this vault of jasper and marble were
executed by Fanelli. The materials used for the altar in this chamber
are black marble and bronze. Two lay-brothers of the Escorial made the
bronze Entombment of Christ.
In the niches rest twenty-six urnas containing the ashes of Spanish
sovereigns. The kings are Charles V., Philip II., Philip III., Philip
IV., Charles II., Luis I., Charles III., Charles IV., and Ferdinand VII.
On the left of the altar are the remains of Isabella, wife of the
Emperor Charles, Anne of Austria, Margaret, Isabel of Bourbon, Mary Anne
of Austria, Maria of Savoy, Maria of Saxony, and Maria Luisa of Bourbon.
Ferdinand VII. used to attend Mass at midnight in this damp, chilling,
and sombre sanctuary, where rest the bones of so many of his ancestors.
Public-domain text, read in full here on John Shaqi.
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