Cowley and Petrarca, who never have done with exaggerating the
violence of their attachments; but the gaiety of Ovid, and the
gallantry of Horace, are always agreeable.
But though we feel no proper sympathy with an attachment of this kind,
though we never approach even in imagination towards conceiving a
passion for that particular person, yet as we either have conceived,
or may be disposed to conceive, passions of the same kind, we readily
{31} enter into those high hopes of happiness which are proposed from
its gratification, as well as into that exquisite distress which is
feared from its disappointment. It interests us not as a passion, but
as a situation that gives occasion to other passions which interest
us; to hope, to fear, and to distress of every kind: in the same
manner as in a description of a sea voyage, it is not the hunger which
interests us, but the distress which that hunger occasions. Though we
do not properly enter into the attachment of the lover, we readily go
along with those expectations of romantic happiness which he derives
from it. We feel how natural it is for the mind, in a certain
situation, relaxed with indolence, and fatigued with the violence of
desire, to long for serenity and quiet, to hope to find them in the
gratification of that passion which distracts it, and to frame to
itself the idea of that life of pastoral tranquillity and retirement
which the elegant, the tender, and the passionate Tibullus takes so
much pleasure in describing; a life like what the poets describe in
the Fortunate Islands, a life of friendship, liberty, and repose; free
from labour, and from care, and from all the turbulent passions which
attend them. Even scenes of this kind interest us most, when they are
painted rather as what is hoped, than as what is enjoyed. The
grossness of that passion, which mixes with, and is, perhaps, the
foundation of love, disappears when its gratification is far off and
at a distance; but renders the whole offensive, when described as what
is immediately possessed. The happy passion, upon this account,
interests us much less than the fearful and the melancholy. We tremble
for whatever can disappoint such natural and agreeable hopes: and thus
enter into all the anxiety, and concern, and distress of the lover.
Public-domain text, read in full here on John Shaqi.
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