Schatten, in his capacity of tapestry weaver, had pictures of every variety of subject; and it was his good fortune that those professors who excelled in the beautiful art seemed by common consent to seek old Schatten, that he might immortalise their radiant sketches in his still more exquisite tapestry. There was no subject which painting could portray, no imagination which it could robe in life and colour, that was not ready for the loom of Schatten. If a battle were the theme, there might be seen contending heroes, with stern rapture in their faces, glory about their heads—their every limb glowing as with Mars’ own fire—their swords like sunbeams, and the smoking blood more like libations to purple Liber, than torrents in which the human life gushed forth. Thus a battle woven by old Schatten was a grand and glorious thing—each combatant was an excited god; whilst the drained and pallid carcass—the dreadful wounds, with jagged and gaping mouths—the rigid muscle straining against death—the fixed and stone-like eye, and clotted hair—all the gross, substantial horrors of systematic slaughter, were thrown into the shade: they were not to expose that common liar—Glory. If the subject were beauty, there might be seen—as erst was chosen by the antique master—one charm from twenty different faces, making a miracle of perfection. All that was voluptuous and entrancing shone in the dewy light of woman’s eye; there was an eternal youth in her red lip, a tenderness in her warm cheek: too pure for the earth, too exquisitely fragile, she seemed of a sisterhood ’twixt humanity and angels. The same masterly hand was displayed though the subject was the banquet of the glutton—the supper was still spread “in the Apollo.” The same power shown in the golden heaps of the miser: the food, the wine, seemed ambrosia and nectar, bestowing immortality on the lip that tasted: the gold glittered like something dropped from the skies, to be worn as amulets against calamity. A man so potent in his handicraft as Schatten might have surrounded himself with all the symbols of wealth; and, had he been ambitious, have successfully contended for the highest honours of citizenship. But, it was plain, he valued gold as ashes; and for the trappings of state and place, the most regal shows, the pomp and blazonry of kings, were with him matter for a jest. “Alack!” cried Michel Sous, a withered money-scrivener of Beauvais—“I hear ’twas a brave sight; and plague on my shanks! I have missed it. Which way went the procession?” The man of bonds and pieces remained gaping for the answer of the tapestry weaver, who stood, cross-legged, leaning on his staff, with a face immovable as granite. It was a day of triumph, a time of holiday, and Michel had for once quitted his bags and desk to sun himself in the glory of his fellow-townsmen. “Weaver, I say, which way went the procession, and where shall I find it?”