The Essentials of Illustration: A Practical Guide to the Reproduction of Drawings & Photographs for the Use of Scientists & OthersHill, Thomas George
Science
The Essentials of Illustration: A Practical Guide to the Reproduction of Drawings & Photographs for the Use of Scientists & Others
Hill, Thomas George
Engraving -- Printing; Illustration of books; Photomechanical processes
Plate 2 is an example of a chromolithograph. Miss O. Johnston first
drew the outline of the plant, which was phototransferred on to the
stone. An impression was then pulled and tinted by the artist,
and from this tinted impression the colour stones were made by the
lithographer. It may be added that only three colours were used in
printing the plate.
Examples:
Baur: _Einfuehrung in die experimentelle Vererbungslehre_
(Plate 1). Berlin, 1911.
Bruce and others: _A Note on the Occurrence of a Trypanosome
in the African Elephant_. Proceedings of the Royal Society of
London, B. Vol. 81, 1909.
Cropper: _The Development of a Parasite of Earthworms_. _Id._
Vol. 85, 1912.
Oliver: _On Sarcodes sanguinea_. Annals of Botany, Vol. 4,
1889-1891.
Rubbel: _UEber Perlen_ ... Zoologische Jahrbuecher, Vol. 32,
1911-12.
Biometrika, 1906-7, Vol. 5, Plate 23.
Mention has been made of the value of a knowledge of colours. The
subject is much too extensive to be considered adequately on the
present occasion even if it were desirable; its importance, however,
warrants a few passing remarks.[A]
[Footnote A: See Ridgway: _Color Standards and Color
Nomenclature_.]
No two people will describe in the same way the colour of, say, a rose
petal; both will have a different conception of the colour "crimson."
The majority have but a limited sense of colour, and even when this
faculty is possessed, the personal equation looms large; further,
the ordinary names of colours are quite inadequate for descriptive
purposes. For these reasons the importance of a scientific system of
colour nomenclature and colour standards is all important. By the
use of such a scheme, the exact colour of an object can be found
by comparison with an adequate chart, and the name there given will
convey to others exactly what colour is described or desired. The
plumage of a bird or the colour of a flower can thus be described
correctly, and an author can indicate exactly the colour desired in
certain parts of a chromolithograph or other reproduction in colour.
[Illustration: PLATE 2.--GERANIUM COLUMBINUM.
A chromolithographic reproduction of a drawing by Miss O. Johnston]
PHOTOLITHOGRAPHIC PROCESSES.--Of these methods of reproduction there
are several, their value lying in the fact that the originals can be
reduced or enlarged with the greatest of ease. The general principles
are as follows.
A photographic negative is taken of the original drawing and a
positive made on a film of bichromate gelatine. Wherever light reaches
the film, the gelatine is rendered more or less insoluble according to
the intensity of the light acting upon it; through the dark parts of
the negative but little light will pass, so that the gelatine will
remain soluble.
Public-domain text, read in full here on John Shaqi.
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