The essentials of mysticism, and other essaysUnderhill, Evelyn
Religion
The essentials of mysticism, and other essays
Underhill, Evelyn
Mysticism
Her journal—at present our only source of information—covers
thirty-eight years: from 1870 to 1908. The first twelve years, however,
are only represented by fragmentary notes, put together in 1882; when
Lucie-Christine, at the suggestion of her confessor, began to keep a
detailed record of her religious life. Whatever view we may take of its
theological value, this record is certainly a psychological document of
the first class. It is the work of a woman of marked intelligence;
temperamentally philosophic, and with great intuitional gifts. The short
memoir prefixed to the French edition tells us that even as a child she
showed unusual qualities; was grave, thoughtful, and to some extent
“psychic,” being subject to flashes of clairvoyance, and premonitions of
important and tragic events. This peculiarity, which she disliked and
never spoke of, persisted through life; and its presence in her helps us
to understand how the many stories of abnormal power possessed by the
mystics first arose.
Her character was by no means of that detached and inhuman type which is
supposed to be proper to religious exaltation. She was ardent and
impressionable, gave love and craved for it; her qualities and faults
were essentially of a lovable kind. She reveals herself in her journal
as sensitive, idealistic, and affectionate; somewhat unpractical, very
easily wounded, tempted to irritability, and inclined to worry. “The
excessive wish to be loved, appreciated, admired by those whom I love,”
was one of the temptations against which, as a young woman, she felt it
necessary to pray: another was the longing for enjoyment, for personal
happiness. It was only after eight years of intermittent mystical
experience that she learned the secret of inward peace: to “lose her own
interests in those of God, and receive a share in His interests in
exchange.” Though the “activity and practical capacity of Martha” never
came naturally to her, she was yet a splendid wife and mother. Even in
the years when her inner life was passed in almost continuous
contemplation, she never neglected human duties for superhuman joys; but
planned and shared the amusements of her boys and girls, wrote and
rehearsed the plays which they acted, and watched with care over every
detail of their lives.
Public-domain text, read in full here on John Shaqi.
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