Fig. 12 shows a photograph of the whirling machine before being bolted
down to its stone pier; with the pair of disks at top ready to be
whirled by an armature on the shaft, which is supplied with a current
sometimes of nine horse-power. The armature winding was of low
resistance, and was specially braced, so as to give high speed without
flying out, and without generating too much back-E M F. The
ampere-meter and volt-meter and the carbon rheostat (in armature
circuit), for regulating the speed, are plainly seen. The smooth
pulley on the shaft is for applying a brake. The small disk above it
is perforated to act as a siren for estimation of speed; but other
arrangements for this purpose were subsequently added. The two large
disks at top were of the best circular-saw steel; they are somewhat
thicker at middle than at edge, and are strongly bolted up between
iron cheeks, which are attached to the shaft. The lower end of the
shaft is a step-bearing of hardened steel in a vessel of oil. The
upper collar is elastic, so as to allow for a steadying teetotum
action at high speeds.
Fig. 13 is a photograph of the optical square, which was ultimately to
be placed in position surrounding the disks. The slit and collimator
are shown; the micrometer end of the observing telescope is out of the
picture.
The mirrors on the sides of the square are accurately plane; they are
adjustable on geometric principles, and are pressed against their
bearings by strong spiral springs. They were made by Hilger.
A drawing of the arrangement is given in Fig. 14, and here the double
micrometer eye-piece is visible.
In Fig. 15 the whole apparatus is shown mounted. The whirling machine
strongly bolted down to a stone pier independent of the floor; the
optical frame independently supported by a gallows frame from other
piers. The centrifugal mercury speed-indicator is visible in front,
and Mr. Davies is regulating the speed. At the back is seen a
boiler-plate screen for the observer with his eye at the telescope.
(See Frontispiece.)
Public-domain text, read in full here on John Shaqi.
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