ISABEL (pushing two opposite ones closer together). Now they
don't.
L. No; but now it isn't a square; and by pushing the two together
you have pushed the two others farther apart.
ISABEL. And yet, somehow, they all seem closer than they were!
L. Yes; for before, each of them only touched two of the others,
but now each of the two in the middle touches the other three.
Take away one of the outsiders, Isabel: now you have three in a
triangle--the smallest triangle you can make out of the beads. Now
put a rod of three beads on at one side. So, you have a triangle
of six beads; but just the shape of the first one. Next a rod of
four on the side of that; and you have a triangle of ten beads:
then a rod of five on the side of that; and you have a triangle of
fifteen. Thus you have a square with five beads on the side, and a
triangle with five beads on the side; equal-sided, therefore, like
the square. So, however few or many you may be, you may soon learn
how to crystallize quickly into these two figures, which are the
foundation of form in the commonest, and therefore actually the
most important, as well as in the rarest, and therefore, by our
esteem, the most important, minerals of the world. Look at this in
my hand.
VIOLET. Why, it is leaf gold!
L. Yes; but beaten by no man's hammer; or rather, not beaten at
all, but woven. Besides, feel the weight of it. There is gold
enough there to gild the walls and ceiling, if it were beaten
thin.
VIOLET. How beautiful! And it glitters like a leaf covered with
frost.
L. You only think it so beautiful because you know it is gold. It
is not prettier, in reality, than a bit of brass for it is
Transylvanian gold; and they say there is a foolish gnome in the
mines there, who is always wanting to live in the moon, and so
alloys all the gold with a little silver. I don't know how that
may be, but the silver always IS in the gold, and if he does it,
it's very provoking of him, for no gold is woven so fine anywhere
else.
MARY (who has been looking through her magnifying glass). But this
is not woven. This is all made of little triangles.
L. Say "patched," then, if you must be so particular. But if you
fancy all those triangles, small as they are (and many of them are
infinitely small), made up again of rods, and those of grains, as
we built our great triangle of the beads, what word will you take
for the manufacture?
MAY. There's no word--it is beyond words.
Public-domain text, read in full here on John Shaqi.
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