Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
"He had chosen the black poplar for the canoe because it was the
lightest wood, and would float best. To fell so large a tree had
been a great labour, for the axes were of poor quality, cut badly,
and often required sharpening. He could easily have ordered half a
dozen men to throw the tree, and they would have obeyed
immediately; but then the individuality and interest of the work
would have been lost. Unless he did it himself its importance and
value to him would have been diminished. It had now been down some
weeks, had been hewn into outward shape, and the larger part of the
interior slowly dug away with chisel and gouge.
"He had commenced while the hawthorn was just putting forth its
first spray, when the thickets and the trees were yet bare. Now the
May bloom scented the air, the forest was green, and his work
approached completion. There remained, indeed, but some final
shaping and rounding off, and the construction, or rather cutting
out, of a secret locker in the stern. This locker was nothing more
than a square aperture chiselled out like a mortise, entering not
from above, but parallel with the bottom, and was to be closed with
a tight-fitting piece of wood driven in by force of mallet.
"A little paint would then conceal the slight chinks, and the boat
might be examined in every possible way without any trace of this
hiding-place being observed. The canoe was some eleven feet long,
and nearly three feet in the beam; it tapered at either end, so
that it might be propelled backwards or forwards without turning,
and stem and stern (interchangeable definitions in this case) each
rose a few inches higher than the general gunwale. The sides were
about two inches thick, the bottom three, so that although dug out
from light wood, the canoe was rather heavy."
"As a boy," to quote again from the same letter, "he was no great
talker; but if we could get him in the humour, he would tell us racy and
blood-curdling romances. There was one particular spot on the Coate
road--many years ago a quarry, afterwards deserted--upon which he wove
many fancies, with murders and ghosts. Always, in going home after one
of our visits to the farm, we used to think we heard the clanking chains
or ringing hoof of the phantom horse careering after us, and we would
rush on in full flight from the fateful spot."
His principal companion in boyhood was his next brother, younger than
himself by one year only, but very different in manners, appearance, and
in tastes. He describes both himself and his brother in "After London."
Felix is himself; Oliver is his brother.
This is Felix:
Public-domain text, read in full here on John Shaqi.
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