Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
You have seen, also, not only that his early life was that of an obscure
reporter for a little country paper, but that his first ambition was
altogether for the making of money rather than for the production of
good work. The love of good work, as such, grew gradually in him. At
first it is not apparent at all. At first we have nothing but a
commonplace lad, poor, and therefore eager to make money, and fondly
thinking that it can be made by writing worthless and commonplace
stories. Nothing in his early life has been concealed. You have read his
very words, where they could be recovered. They are in no way remarkable
words; they are generally, in fact, commonplace. Nothing, except a
steady and consistent belief in his own future, the nature of which he
does not even suspect, reveals the power latent in his mind. There is
nothing at all in these early utterances to show the depths of poetry in
his soul. Nay, I think there were none of these depths in him at first.
So long as he worked among men, and contemplated their ways, he felt no
touch of poetry, he saw no gleam of light. Mankind seemed to him sordid
and creeping; either oppressor or oppressed. Away from men, upon the
breezy down and among the woods, he is filled with thoughts which, at
first, vanish like the photographs of scenery upon the eye. Presently he
finds out the way to fix those photographs. Then he is transformed, but
not suddenly; no, not suddenly. When he discovers the Gamekeeper at
Home, he begins to be articulate; with every page that follows he
becomes more articulate. At first he draws a faithful picture of the
cottager, the farmer, the gamekeeper, the poacher; the pictures are set
in appropriate scenery; by degrees the figures vanish and the setting
remains. But it is no longer the same; it is now infused with the very
soul of the painter. The woods speak to us, through him; the very
flowers speak and touch our hearts, through him. The last seven years of
his life were full, indeed, of pain and bodily torture; but they were
glorified and hallowed by the work which he was enabled to do. Nay, they
even glorify and hallow all the life that went before. We no longer see
the commonplace young country reporter who tries to write commonplace
and impossible stories--we watch the future poet of the "Pageant of
Summer" whose early struggles we witness while he is seeking to find
himself. Presently he speaks. HE HAS FOUND HIMSELF; he has obtained the
prayer of his heart; he has been blessed with the FULLER SOUL.
* * * * *
Public-domain text, read in full here on John Shaqi.
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