The Evacuation of England: The Twist in the Gulf StreamGratacap, L. P. (Louis Pope)
General
The Evacuation of England: The Twist in the Gulf Stream
Gratacap, L. P. (Louis Pope)
Climatic changes -- Fiction; Great Britain -- Fiction
Leacraft put down the letter slowly. He was disappointed. A summons to
the west, to the mines in Arizona, had reached him just the day before,
and he must get out there before a week was over. He had thought to
have finished this affair first, and to find in the tiresome trip
distraction, if Sally was unfavorable to his appeal, or unexpected
interest if he succeeded in winning her assent. Still he could readily
accept the invitation. He would be back in May, and, perhaps after all
the occasion might be more favorable. Sally softened into a little
sympathetic humor by her visit to her sick aunt, and he strengthened
by the encouraging reflexion of having successfully dissipated the
little cloud of misunderstanding, or worse, at the mines, might produce
conditions psychologically adequate to bring about his victory.
He stepped to the window. The view from it was always pleasing, at
this moment in the descending shades of the closing day and with the
vanishing lights hurrying westward beyond the Potomac, it possessed
an ineffable loveliness. The great white spectre of the Washington
monument, immaterialized and faintly roseate against the softly flaming
skies, and brooding genius-like above the trees of the Reservation was
always there, and that night it assumed the strangely deceptive but
fascinating vagary of an exhalation, as if built up from the emanations
of the earth, and the vapors of the air, remaining immobile in the
still ether as a portent or a promise. The man’s face grew clouded as
the fairy obelisk faded, and with the enveloping darkness became again
discernible as a dull and stony pile.
That evening Leacraft felt particularly restless and detached. He
felt the need of entertainment, and of entertainment of a sort that
would fix his faculty of thought, awaken speculation, and immerse him
in reasonings and the intricacies of argument. The few theatrical
bills presented no attractions more weighty than a clever comedian
in a musical farce, a sensational melodrama (“much better,” said
Leacraft), and vaudeville. Music was shunned; there was nothing quite
serious offered, and then music has so many painful influences on the
apprehensive mind, and is turned to such cruel uses in the economy of
nature, for making uneasy lovers more agitated. No! he didn’t wish
music. Baffled for an instant, he concluded to walk. Muscular exercise,
mere translation on one’s legs, is a marvellous remedy for the
diabolical blues, and then it can never be told what the Unseen holds
for you, if you only go out to meet It in the streets, and amongst
other people, hunting, perhaps, like yourself, diversion from their own
inscrutable megrims. It--the Unseen--may quite divertingly mix you up
in a comedy or a tragedy, or consolingly give you a glimpse of other
human miseries immeasurably greater than your own.
Public-domain text, read in full here on John Shaqi.
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