It would be difficult to reproduce in words this difficult and puzzling young lady; difficult to impart by any means less effective than painting or have proven ineffective, unless somehow helped out by personal acquaintanceship--the impression which gave both to her active admirers, and to those who, for reasons best known to themselves, had tried to forget her charms. Sally was decidedly pretty, she readily, under the phases of excitement and gayety moved upward into the realms of beauty. She was fair, not large, delicately modelled, with perniciously accomplished eyes that looked out from beneath the pencilled eye-brows, and under their long lashes, with all kinds of provocative invitations, that were no sooner accepted than their desperate little giver revoked them with derision and anger. Her lips, of course met the most scrupulous requirements of the critic, and her teeth were as fatally perfect. In coloring she furnished an example of protean adaptibility. The emblems of fury were seen in her flushed cheeks, and the tokens of contrition in the same when they grew pale with grief. This was the secret of her compelling art. She bowed to all emotions, and as they controlled her they set upon her face the evidence of their presence, refined by the resistance of a nature which abhorred wrong feelings, improved by the welcome of a spirit which was magnanimous and sympathetic. No wonder that Leacraft loved her. No wonder that a bewildered lot of other young men were in a similar predicament.