The Everlasting ManChesterton, G. K. (Gilbert Keith)
Religion
The Everlasting Man
Chesterton, G. K. (Gilbert Keith)
Catholic Church -- Apologetic works; Christianity and other religions; Religion
A thousand things have been said about the Oxford Movement and the
parallel French Catholic revival; but few have made us feel the simplest
fact about it; that it was a surprise. It was a puzzle as well as a
surprise; because it seemed to most people like a river turning
backwards from the sea and trying to climb back into the mountains. To
have read the literature of the eighteenth and nineteenth centuries is
to know that nearly everybody had come to take it for granted that
religion was a thing that would continually broaden like a river, till
it reached an infinite sea. Some of them expected it to go down in a
cataract of catastrophe, most of them expected it to widen into an
estuary of equality and moderation; but all of them thought its
returning on itself a prodigy as incredible as witchcraft. In other
words, most moderate people thought that faith like freedom would be
slowly broadened down; and some advanced people thought that it would be
very rapidly broadened down, not to say flattened out. All that world of
Guizot and Macaulay and the commercial and scientific liberality was
perhaps more certain than any men before or since about the direction in
which the world is going. People were so certain about the direction
that they only differed about the pace. Many anticipated with alarm, and
a few with sympathy, a Jacobin revolt that should guillotine the
Archbishop of Canterbury or a Chartist riot that should hang the parsons
on the lamp-posts. But it seemed like a convulsion in nature that the
Archbishop instead of losing his head should be looking for his mitre;
and that instead of diminishing the respect due to parsons we should
strengthen it to the respect due to priests. It revolutionised their
very vision of revolution; and turned their very topsyturvydom
topsy-turvy.
Public-domain text, read in full here on John Shaqi.
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