A small print by Aldegraver, one of the little German masters, in 1553, now lying before the writer, represents the execution of Manlius, the Roman, by the same instrument; and he has a similar print by Pens, an early engraver of that school. There are engravings of it in books printed so early as 1510. In Hollinshed’s Chronicle there is a cut of a man who had attempted the life of Henry III. suffering by this instrument. In Fox’s “Acts and Monuments,” there is another execution in the same manner. The “maiden” by which James, earl of Morton, the regent of Scotland, was put to death for high treason in 1581, was of this form, and is said to have been constructed by his order from a model of one that he had seen in England: he was the first and last person who suffered by it in Scotland; and it still exists in the parliament-house at Edinburgh. In “The Cloud of Witnesses; or the last Speeches of Scottish Martyrs since 1680,” there is a print of an execution in Scotland by a similar instrument. The construction of such a machine was in contemplation for the beheading of lord Lovat in 1747: he approved the notion--“My neck is very short,” he said, “and the executioner will be puzzled to find it out with his axe: if they make the machine, I suppose they will call it lord Lovat’s maiden.” * * * * * Randle Holme in his “Armory” describes an heraldic quartering thus:--“He beareth _gules_, a heading-block fixed between two supporters, with an axe placed therein; on the _sinister_ side a maule, all _proper_.” This agreeable bearing he figures as the reader sees it. [Illustration] Holme observes, that “this was the Jews’ and Romans’ way of beheading offenders, as some write, though others say they used to cut off the heads of such, with a sharp, two-handed sword: however, this way of decollation was by laying the neck of the malefactor on the block, and then setting the axe upon it, which lay in a rigget in the two side-posts or supporters; the executioner with the violence of a blow on the head of the axe, with his heavy maul, forced it through the man’s neck into the block. I have seen the draught of the like heading-instrument, where the weighty axe (made heavy for that purpose) was raised up and fell down in such a riggetted frame, which being suddenly let to fall, the weight of it was sufficient to cut off a man’s head at one blow.” THE SEASON.