The Every-day Book and Table Book, v. 1 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book, v. 1 (of 3): or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
The approach of spring was there commemorated with an abundance of
display, its allegorical character was its most remarkable feature. It
was called _Der Sommers-gewinn_, the acquisition of summer; and about
thirty years ago was celebrated at the beginning of spring by the
inhabitants of Eisenach, in Saxony, who, for that purpose, divided
themselves into two parties. One party carried _winter_ under the shape
of a man covered with straw, out of the town, and then, as it were, sent
him into public exile; whilst the other party, at a distance from the
town, decked _spring_, or, as it was vulgarly called, summer, in the
form of youth, with boughs of cypress and May, and marched in solemn
array to meet their comrades, the jocund executioners of winter. In the
meanwhile national ballads, celebrating the delights of spring and
summer, filled the skies; processions paraded the meadows and fields,
loudly imploring the blessings of a prolific summer; and the jovial
merry-makers then brought the victor-god home in triumph. In the course
of time, however, this ceremonial underwent various alterations. The
parts, before personified, were now performed by real dramatis personæ;
one arrayed as spring, and another as winter, entertained the spectators
with a combat, wherein winter was ultimately vanquished and stripped of
his emblematical attire; spring, on the contrary, being hailed as
victor, was led in triumph, amidst the loud acclamations of the
multitude, into the town. From this festival originated a popular
ballad, composed of stanzas each of which conclude thus:
Heigho! heigho! heigho! Summer is at hand!
Winter has lost the game,
Summer maintain’d its fame;
Heigho! heigho! heigho! Summer is at hand!
The day whereon the jubilee takes place is denominated _der Todten
sonntag_, the dead Sunday. The reason may be traced perhaps to the
analogy which winter bears to the sleep of death, when the vital powers
of nature are suspended. The conjecture is strengthened by this distich
in the ballad before quoted:
Now we’ve vanquish’d _Death_,
And Summer’s return ensured:
Were _Death_ still unsubdued,
How much had we endured!
Public-domain text, read in full here on John Shaqi.
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