The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
Brantome relates, that the duchess of Angoulême, in the sixteenth
century, being awakened during the night, she was surprised at an
extraordinary brightness which illuminated her chamber; apprehending it
to be the fire, she reprimanded her women for having made so large a
one; but they assured her it was caused by the moon. The duchess ordered
her curtains to be undrawn, and discovered that it was a comet which
produced this unusual light. “Ah!” exclaimed she, “this is a phenomenon
which appears not to persons of common condition. Shut the window, it is
a comet, which announces my departure; I must prepare for death.” The
following morning she sent for her confessor, in the certainty of an
approaching dissolution. The physicians assured her that her
apprehensions were ill founded and premature. “If I had not,” replied
she, “seen the signal for death, I could believe it, for I do not feel
myself exhausted or peculiarly ill.” On the third day after this event
she expired, the victim of terror. Long after this period all
appearances of the celestial bodies, not perfectly comprehended by the
multitude, were supposed to indicate the deaths of sovereigns, or
revolutions in their governments.
* * * * *
TWO PAINTERS.
When the duke d’Aremberg was confined at Antwerp, a person was brought
in as a spy, and imprisoned in the same place. The duke observed some
slight sketches by his fellow prisoner on the wall, and, conceiving they
indicated talent, desired Rubens, with whom he was intimate, and by whom
he was visited, to bring with him a pallet and pencils for the painter,
who was in custody with him. The materials requisite for painting were
given to the artist, who took for his subject a group of soldiers
playing at cards in the corner of a prison. When Rubens saw the picture,
he cried out that it was done by Brouwer, whose works he had often seen,
and as often admired. Rubens offered six hundred guineas for it; the
duke would by no means part with it, but presented the painter with a
larger sum. Rubens exerted his interest, and obtained the liberty of
Brouwer, by becoming his surety, received him into his house, clothed as
well as maintained him, and took pains to make the world acquainted with
his merit. But the levity of Brouwer’s temper would not suffer him long
to consider his situation any better than a state of confinement; he
therefore quitted Rubens, and died shortly afterwards, in consequence of
a dissolute course of life.
[Illustration: ~Representation of a Pageant Vehicle and Play.~]
The state, and reverence, and show,
Were so attractive, folks would go
From all parts, ev’ry year, to see
These pageant-plays at Coventry.
This engraving is from a very curious print in Mr. Sharp’s “Dissertatien
on the Pageants or Dramatic Mysteries, anciently performed at
Coventry.”
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account