The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the AlmanacHone, William
History
The Every-day Book and Table Book. v. 3 (of 3): Everlasting Calerdar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac
Hone, William
Days; Great Britain -- Social life and customs
As your correspondent appears to have been anxious to set himself right
with regard to the inaccuracies I noticed in his account of Clack, &c.,
I will point out that he is still in error in one slight particular.
When he visits this county again, he will find, if he should direct his
footsteps towards Malmsbury and its venerable abbey, (now the church,)
the tradition is, that the boys of a school, kept in a room that once
existed over the antique and curious entrance to the abbey, revolted and
killed their master. Mr. Moffatt, in his history of Malmsbury, (ed.
1805,) has not noticed this tradition.
Excuse my transcribing from that work, the subjoined “Sonnet to the
Avon,” and let me express a hope that your correspondent may also favour
us with some effusions in verse upon that stream, the scene of warlike
contests when the boundary of the Saxon kingdom, or upon other subjects
connected with our local history.
Upon this river, meandering through a fine and fertile tract of country,
Mr. Moffatt, after noticing the earlier abbots of Malmsbury, adds, “The
ideas contained in the following lines were suggested by the perusal of
the history of the foundation of Malmsbury abbey:
“_Sonnet to the Avon._
“Reclined beside the willow shaded stream,
On which the breath of whispering zephyr plays,
Let me, O Avon, in untutor’d lays
Assert thy fairest, purest, right to fame.
What tho’ no myrtle bower thy banks adorn,
Nor sportive Naiads wanton in thy waves;
No glittering sands of gold, or coral caves,
Bedeck the channel by thy waters worn:
Yet thou canst boast of honours passing these,
For when fair science left her eastern seat,
Ere Alfred raised her sons a fair retreat,
Where Isis’ laurels tremble in the breeze;
’Twas there, near where thy curling streamlet flows,
E’en in yon dell, the Muses found repose.”
This interesting period in the history of the venerable abbey, its
supposed connection with Bradenstoke Priory, the admired scenery of the
surrounding country, the events of past ages blended into the exertions
of a fertile imagination, and the many traditions still floating in the
minds of the inhabitants, would form materials deserving the attention
of a writer disposed to wield his pen in that department of literature,
which has been so successfully cultivated in the northern and other
parts of our island.
If by the observation, “that his ancestors came from the Priory,” your
correspondent means Bradenstoke Priory, he will allow me to direct his
attention to the fact of the original register of that establishment
being in the British Museum. I refer him to the “Beauties of England and
Wales.”
As your correspondent probably resides in London, he may be induced to
obtain access to this document, in which I conclude he would have no
difficulty; and if you, Mr. Editor, could favour us in your publication
with an engraving of this Priory, it would be acceptable.
Public-domain text, read in full here on John Shaqi.
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