The Evil Eye; Or, The Black Spector: The Works of William Carleton, Volume OneCarleton, William
General
The Evil Eye; Or, The Black Spector: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
Alice Goodwin's person and character must, at this stage of our
narrative, be made known to our readers. As to her person, it is only
sufficient to say that she was a tall, beautiful girl, of exceeding
grace and wonderful proportions. There was, however, a softness about
her appearance of constitutional delicacy that seemed to be incompatible
with a strong mind, or perhaps we should rather say that was identical
with an excess of feeling. This was exhibited in the tenderness of
her attachment to Agnes Hamilton, and in the agonizing grief which she
experienced at her death--a grief which had well-nigh become fatal to a
girl of her fragile organization. The predominant trait, however, in her
character was timidity and a terror of a hundred trifles, which, in the
generality of her sex, would occasion only indifference or laughter. On
that very morning, for instance, she had not recovered from her painful
apprehensions of the thunder-storm which had occurred on the preceding
night. Of thunder, but especially of lightning, she was afraid even to
pusillanimity; indeed so much so, that on such occurrences she would
bind her eyes, fly down stairs, and take refuge in the cellar until the
I hurly-burly in the clouds was over. This, however, was not so much
to be wondered at by those who live in our present and more enlightened
days; as our readers will admit when they are told that the period of
our narrative is in the reign of that truly religious monarch, Charles
the Second, who, conscious of his inward and invisible grace, was known
to exhaust himself so liberally of his virtue, when touching for the
Evil, that there was very little of it left to regulate that of his own
private life. In those days Ireland was a mass of social superstitions,
and a vast number of cures in a variety of diseases were said to be
performed by witches, wizards, fairy-men, fairy-women, and a thousand
other impostors, who, supported by the gross ignorance of the people,
carried that which was first commenced in fraud and cunning into a
self-delusion, which, in process of time, led them to become dupes to
their own impostures. It is not to be wondered at, then, that Alice
Goodwin, a young creature of a warm imagination and extraordinary
constitutional timidity, should feel the full force of the superstitions
which swarmed around her, and impregnated her fancy so strongly that
it teemed with an unhealthy creation, which frequently rendered her
existence painful by a morbid apprehension of wicked and supernatural
influences. In other respects she was artlessness itself, could never
understand what falsehood meant, and, as to truth, her unspotted
mind was transparent as a sunbeam. Our readers are not to understand,
however, that though apparently flexible and ductile, she possessed
no power of moral resistance. So very far from that, her disposition,
wherever she thought herself right, was not only firm and unbending,
but sometimes rose almost to obstinacy.
Public-domain text, read in full here on John Shaqi.
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