The African tribes, of course, differ materially in their marriage
customs, but some form of exchange for the services of the woman are
insisted on, and often take the shape of a present of cattle to the
bride's father. On the West Coast, in the neighbourhood of Gaboon,
where slavedom is recognised, there is an understanding that a wife may
be purchased for a slave bundle, valued at about £6 in English money,
and there appears to be no sliding scale as to youth, beauty, form, or
degree. A bundle contains specimens of every article sold by a general
storekeeper. The most important features of a slave bundle are a
Neptune, or brass pan used for making salt, which is a current article
of commerce, and a piece of native cloth, manufactured by these people
for dress purposes, from a species of palm which grows on the river
banks in great luxuriance. Both sexes anoint themselves with palm oil
and other greasy substances, and no greater compliment can be paid to an
African belle than to say she looks "fat and shining."
[Illustration: VEIL OF HINDU BRIDE.]
[Illustration: HINDU MARRIAGE CEREMONY.]
Mr. Hutchinson, in his interesting work, "Ten Years in Æthiopia," gives
a quaint and amusing account of the toilet of a Fernandian bridegroom:
"Outside a small hut, belonging to the mother of the bride expectant, I
soon discovered the happy bridegroom undergoing his toilet at the hands
of his future wife's sister. A profusion of Tshibbu strings being
fastened round his body, as well as his legs and arms, the anointing
lady, having a short black pipe in her mouth, proceeded to rub him over
with Tola pomade. He seemed not altogether joyous at the anticipation of
his approaching happiness, but turned a sulky gaze now and then on a
piece of yam which he held in his hand, and which had a parrot's red
feather fixed on its convex side. This was called 'Ntshoba,' and is
regarded as a protection against evil influences on the important day.
The bride was borne down by the weight of rings and wreaths and girdles
of Tshibbu. Tola pomatum gave her the appearance of an exhumed mummy,
save her face, which was all white; not from excess of modesty, for the
negro race are reported to blush blue, but from being smeared over with
a white paste, the emblem of purity." What a hideous substitute for the
classical wreath of orange blossoms, and what a contrast must be offered
when the cosmetic peels off and displays the dusky skin upon which it is
laid!
Public-domain text, read in full here on John Shaqi.
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