The steady patronage of Her Majesty the Queen and the Royal Family have
done much to remove any prejudices which existed against the drama, and
as a powerful auxiliary to education the stage is rapidly gaining
ground. Dull, indeed, must the theatre-goer be if he leaves without
having assimilated some valuable lesson. To Shakespeare we owe many
ideal types of womanhood, all the more precious now that some of the
weaker sex, in an insatiable desire for progress, sometimes neglect
those lesser arts which in the past proved to them a shield and buckler.
The classical and historical pieces allow us to live again in scenes
which occurred when the world was young, and convince us, though the
tastes of the people were simpler, human nature, with its passions and
aspirations, has changed but little. Who can deny the moral influence of
such plays as "The Sign of the Cross," "Hypatia," "The Daughters of
Babylon," "Virginius," or those of the Robertson school, of which
"Caste" and "Ours" are examples? A love of music is not considered a
marked trait of the English nation, yet have not Italian and comic opera
stimulated a desire for a concord of sweet sounds among all classes of
the community? Such plays as "Patience" and the "Mikado" have developed
our instinct for colour and form, and we are taught the value of
industry and restraint when we watch well-trained actors, capable of
controlling every gesture, and of charming us with their well-modulated
voices. Our lives are cheered by viewing the comic side of things, and
on our clothing and household possessions, the stage has also laid a
refining hand.
FLORAL COSTUMES.
A POPPY.
The bodice and skirt of red accordion, pleated _mousseline de soie_, the
petals of the flower and belt in bright red silk. Large silk poppies
appear on the shoulders and bust, and one of extra size is used for a
head-dress. With this costume neat black shoes and silk stockings should
be worn, and a palm-leaf fan covered with poppies and foliage should be
carried.
[Illustration: A POPPY.]
LILY OF THE VALLEY.
Corsage and skirt of white pleated Valenciennes lace mounted on green
silk. A full berthe of the flowers. White lace hat entirely covered with
these blooms, and fan to correspond.
MOSS ROSE.
Gown of pink satin, veiled with tulle and flecked with rose buds. A
ruche of moss roses at the hem of the skirt and on the bodice. A Dolly
Varden hat trimmed with moss roses and pink ribbon.
WILD ROSE.
Dress of shot pink and white satin, embroidered or painted with clusters
and trails of wild roses and foliage. Skirt edged with full ruche of
pink tulle studded with roses, and corsage trimmed to correspond.
_Coiffure poudré_ dressed with small basket of roses and pink ribbon.
WHITE ROSE.
Public-domain text, read in full here on John Shaqi.
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