Gown with Watteau train of white satin edged with leaveless roses,
chains of the same flowers carried across the front of the dress, and
outlining the square-cut bodice, and elbow sleeves. Ruffles of lace. A
wreath of white roses in the powdered hair, and a crook decorated with
flowers and ribbon streamers.
SUMMER ROSES.
Gown of cream-coloured brocade, with design in shaded roses and foliage,
trimmed with garland of roses of different tints embedded in tulle.
Décolleté corsage trimmed to correspond, and a damask rose worn in the
hair.
WILD FLOWERS.
Dress of pale blue satin, veiled with green tulle. Trails of
forget-me-nots, poppies, marguerites, buttercups, and grass depending
from the waist-belt to edge of skirt, and bodice trimmed to correspond.
A Leghorn hat garnished with wild flowers, grass, and blue ribbons.
GARDENIA.
Greek dress of white crêpe de Chine, embroidered in classical design
with silver. In front diagonal trails of gardenias and their dark
foliage arranged from the right shoulder to left side of dress. The hair
bound with silver bands. A shower bouquet to correspond.
THE SHAMROCK.
Gown of emerald green satin appliquéd with velvet shamrocks of a darker
shade. The stomacher a large trefoil in emeralds, and the short sleeves
cut to resemble the Irish emblem. Corsage veiled with green tulle strewn
with tiny shamrocks, and a coronet of the same in the hair.
THE THISTLE.
High dress of eau de nil satin. The skirt edged with a wreath of
thistles, which are also embroidered in a bold design on the front of
gown and bodice. Satin hat trimmed with thistles and ribbon, and black
staff tied with thistles and ribbon streamers.
DANDELION.
Gown of yellow accordion, pleated chiffon finished on the skirt with
trails of flowers from the waist to hem of the skirt, interspersed with
the seed pods commonly known as blow-aways. The bodice of pleated
yellow chiffon with dandelions across the berthe and clusters on the
shoulders. A wreath and aigrette to correspond.
IRIS.
Dress of white satin, veiled with mauve chiffon, flecked with iris
petals. Trails of mauve and white flowers tied with bows of satin in
alternate shades, and carried across the skirt. Square cut corsage to
correspond, and elbow sleeves. A muslin cap trimmed with the same
flowers. Powdered hair.
LILAC.
Gown of cream satin brocaded with mauve and white lilac, Marie
Antoinette, white chiffon fichu, and cap trimmed with clusters of shaded
lilac and foliage. Elbow sleeves with chiffon ruffles. The white satin
fan painted to correspond, and caught by a flower châtelaine. The hair
dressed with the same flowers, and a twisted scarf of mauve and white
chiffon.
End of Project Gutenberg's The Evolution of Fashion, by Florence Mary Gardiner
Public-domain text, read in full here on John Shaqi.
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