The portrait of Mary Queen of Scots, who was considered an authority on
matters of the toilet, and whose taste for elegance of apparel had been
cultivated to a high degree during her residence at the French Court is
given. There is a subtlety and charm about it which is wanting in the
costume of her cousin Elizabeth, and it may be considered a fair type of
what was worn by a gentlewoman of that period. The full skirt appears to
fall in easy folds, and the basqued bodice, with tight sleeves, is
closely moulded to the figure and surmounted by an
elaborately-constructed ruff of muslin and lace.
[Illustration: 19TH CENTURY. BALL DRESS, 1809.]
To the great regret of antiquarians, the wardrobes of our ancient kings,
formerly kept at the Tower, were by the order of James I. distributed.
At no period was the costume of Britain more picturesque than in the
middle of the seventeenth century, and we naturally turn to its great
delineators Velasquez, Van Dyck, Rembrandt, and Rubens, who delighted in
giving us such fine examples of their work. Women had grown tired of the
unwieldy fardingale, and changed it for graceful gowns with flowing
skirts and low bodices, finished with deep vandyked collars of lace or
embroidery.
A studied negligence, an elegant _déshabillé_ prevailed in the Stuart
Court, particularly after the Restoration. Charles II.'s bevy of
beauties are similarly attired, and the pictures in Hampton Court show
us women whose snowy necks and arms are no longer veiled, and whose
gowns of rich satin, with voluminous trains, are piled up in the
background. Engravings and drawings which may be seen in every
printseller's window make special illustrations of this period
unnecessary.
[Illustration: 18TH CENTURY. WALKING COSTUME.]
Dutch fashions appear to have followed in the wake of William and Mary.
Stomachers and tight sleeves were once more in favour, and fabrics of a
rich and substantial character were employed in preference to the softer
makes of silk, which lent itself so well to the soft flowing lines of
the previous era.
Public-domain text, read in full here on John Shaqi.
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