And Satan blows on their desire,
In monstrous flames leaps up the fire,
And maddened by the raging fiend,
From love of God and honour weaned,
They turn from their Creator's shrine
And call their mistresses divine.
With soul and body, mind and sense,
They worship woman's excellence.
Abandoned in her beauty revel,
And unawares adore the devil.
Three hundred years later the fanatical Savanorola stormed: "You clothe
and adorn the Mother of God as you clothe and adorn your courtesans, and
you give her the features of your mistresses!" which, as we shall
presently see, was literally true.
The clergy resisted all counsels of the _cortezia_ and _cavalaria_ with
the sure instinct desiring the continuance of existing conditions
rather than the victory of the higher conception. Some writers aver that
it was partly due to this fact that later on the cult of woman developed
into the cult of Mary. Again we are confronted by a process which in the
course of time has been repeated more than once: the spiritual-mystical
principle of Christianity entered upon a new stage, and took possession
of a new and important domain; but the Church, rigid and unyielding,
preferred clinging to a past lower stage rather than tolerating any
change. Had she been absolutely consistent, her greatest poet would be
on the index to-day, for, following his own intuition and ignoring her
rigid dogma, he introduced his beloved Beatrice into the Catholic
heaven.
The new spiritual love was not without its caricatures. Famous in
Provence for many strange exploits, committed in order to please his
lady, was the talented Peire Vidal. On one occasion he caused himself to
be sewn into a wolfskin and ran about the fields; but he was set upon by
dogs and so badly mangled that he nearly succumbed to his wounds. He was
an insufferable braggart, but never had any success in love. The prince
of caricatures, however, was the German knight and minnesinger, Ulrich
of Lichtenstein. He is responsible for a novel in prose, entitled _The
Service of Woman_, which is faintly reminiscent of Goethe's _Werther_.
As a page he commenced his glorious career by drinking the water in
which his lady had washed her hands; later on he caused his upper lip to
be amputated because it displeased his mistress, for "whatever she
dislikes in me, I, too, hate." On another occasion he cut off one of his
fingers and used it, set in gold, as a clasp for a volume of his poems
which he sent to her. One of his most famous exploits was a journey
through nearly the whole of Austria, disguised as Venus, jousting,
dressed in women's clothes, with every knight he met. But in spite of
his eccentricities, the tendency of his mind was not at all
metaphysical; he craved very obvious favours, but as a rule contented
himself with a kind, or even an unkind word. Incidentally, we learn that
he was married; but he devoted his whole life to "deeds of heroism" in
honour of his lady.
Public-domain text, read in full here on John Shaqi.
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