The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years — John Shaqi
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
To the late Rev. J. B. Reade is incontestably due the honour of having
first applied tannin as an accelerator, and hyposulphite of soda as a
fixing agent, to the production and retention of light-produced
pictures; and having first obtained an ineffaceable photograph upon
paper. Mr. Talbot's gallate of silver process was not patented or
published till 1841; whereas the Rev. J. B. Reade produced paper
negatives by means of gallic acid and nitrate of silver in 1837. It will
be remembered that Mr. Wedgwood had discovered and stated that the
chloride of silver was more sensitive when applied to white leather, and
Mr. Reade, by inductive reasoning, came to the conclusion that tanned
paper and silver would be more sensitive to light than ordinary paper
coated with nitrate of silver could possibly be. As the reverend
philosopher's ideas on that subject are probably the first that ever
impregnated the mind of man, and as his experiments and observations are
the very earliest in the pursuit of a gallic acid accelerator and
developer, I will give them in his own words.--"No one can dispute my
claim to be the first to suggest the use of gallic acid as a sensitiser
for prepared paper, and hyposulphite of soda as a fixer. These are the
keystones of the arch at which Davy and Young had laboured--or, as I may
say in the language of another science, we may vary the tones as we
please, but here is the fundamental base. My use of gallate of silver
was the result of an inference from Wedgwood's experiments with leather,
'which is more readily acted upon than paper' (_Journal of the Royal
Institution_, vol. i., p. 171). Mrs. Reade was so good as to give me a
pair of light-coloured leather gloves, that I might repeat Wedgwood's
experiment, and, as my friend Mr. Ackerman reminds me, her little
objection to let me have a second pair led me to say, 'Then I will tan
paper.' Accordingly I used an infusion of galls in the first instance in
the early part of the year 1837, when I was engaged in taking
photographs of microscopic objects. By a new arrangement of lenses in
the solar microscope, I produced a convergence of the rays of light,
while the rays of heat, owing to their different refractions, were
parallel or divergent. This fortunate dispersion of the calorific rays
enabled me to use objects mounted in balsam, as well as cemented
achromatic object glasses; and, indeed, such was the coolness of the
illumination, that even _infusoria_ in single drops of water were
perfectly happy and playful (_vide_ abstracts of the 'Philosophical
Transactions,' December 22nd, 1836). The continued expense of an
artist--though, at first, I employed my friend, Lens Aldons--to copy the
pictures on the screen was out of the question. I therefore fell back,
but without any sanguine expectations as to the result, upon the
photographic process adopted by Wedgwood, with which I happened to be
well acquainted. It was a _weary while_, however, before any
Public-domain text, read in full here on John Shaqi.
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