The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty YearsWerge, John, active 1854-1890
History
The Evolution of Photography: With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
Werge, John, active 1854-1890
Photography -- History
Further north still, at Newcastle-on-Tyne, there is another exhibition
of "Arts and Manufactures," the chief photographic feature of which is a
considerable display of "Swan's Carbon Prints," from several well-known
negatives by Bedford and Robinson. The promise of this process is very
great, and its commercial advantages were singularly demonstrated to me
when visiting the printing establishment of Mr. Swan, which I happened
to do on a dark and unfavourable day--one totally unfit for silver
printing; and yet I saw several very beautiful carbon prints that had
been produced that day, the rate of production being about eight to one
over silver printing. As a proof of the certainty and commercial
application to which Mr. Swan has reduced his beautiful process, I need
only mention that he has undertaken the printing of two thousand copies
of the celebrated picture of "The First General Assembly of the Church
of Scotland," painted by D. O. Hill. This historical picture contains
four hundred and fifty portraits: the negatives were taken from the
original painting by Mr. Annan, photographer, Glasgow, and are 32 by 14
inches, and 24 by 9 inches; and Mr. Swan has to turn off one thousand
copies of each within a given time. The publishers of the work give a
guarantee to their subscribers that every print shall be of a high
standard, for each one has to pass the examination of two competent
judges. They also very justly pride themselves on being the very first
to translate and multiply such noble works of art by a process "so
beautiful, and, at the same time, _imperishable_." I saw several of the
prints, both in process of development and complete; and anything more
like rich, soft, and brilliant impressions of a fine mezzotint engraving
I never saw, by any process of photography.
Mr. Swan's arrangements for conducting the various parts of his process
are very extensive and complete; and his mode of "developing and
transferring" seems to be the very acme of perfection. But, as Mr. Swan
is about to publish a work containing a full description of the process,
with a beautiful specimen print as frontispiece, I will not anticipate
him, or mar his own comprehensive account of the details of a process
which he has brought to such a state of beauty and perfection, by an
amount of patient perseverance and thoughtful application rarely
exhibited or possessed by one individual.
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